
Walker was the first woman to receive sole composing credit on a Hollywood studio picture, on Memoirs of an Invisible Man in 1992 and won a Daytime Emmy for her work on the animated Batman series.
Once a piano soloist with the San Francisco Symphony, Walker's first credit was as a synthesizer player on Apocalypse Now. She went on to work as a conductor and orchestrator for Danny Elfman and Hans Zimmer, working on such features as Days Of Thunder, Batman, Dick Tracy and Backdraft.
She wrote robust themes for sci-fi, action and superhero series, including Batman Beyond, Spawn and Space: Above and Beyond. In 1996, she scored John Carpenter's futuristic action film Escape From L.A. and a year later, Robert Butler's Turbulance.
For me, Walker will be best known for one of the greatest scores to an animated motion picture- Batman: Mask Of The Phantasm where she rewrote Batman's theme and created a whole language for her choir to sing:- their own names and the names of Warner Bros. executives backwards.
Ryan Keaveney has an excellent resource including sound clips for Shirley Walker here.
1 comment:
BORING!!, take note, Lt.Col, such womanish sentiment shall not be tolerated much longer. Now entertain us.
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