Many closed-minded individuals had already made up their mind about
Terminator: Salvation long before the cameras rolled. It was the strange and certainly controversial choice as director, one
Joseph McGinty Nichol, better known to the world as
McG, Commanding General of the stupid Hollywood nickname brigade. His
Charlie’s Angels movies are fun and entertaining [and are both on my DVD shelf] and
Chuck, which he produces for NBC Television is loved by all who watch it. Both, while rich in action, are infused with a level of humour which he has extracted from his writers and performers to make those projects work for what they are.
Terminator, on the other hand is rightly devoid of almost any humour whatsoever and
McG is too unqualified and inexperienced to direct what is essentially a serious production; he's is a one-trick pony and
Terminator and movies like it are not his trick.
Does that mean this movie is complete shit? No, quite far from it, but neither is it a worthy sequel to
James Cameron’s seminal work. This is a superb action movie; it has guns, explosions, outstanding production design, and a host of never seen before
Terminators,
Skynet machines and defence-systems which flesh out the whole
Terminator lore more than adequately. It will thrill most action-seeking
cinemagoers [assuming you live in this part of the world where it’s been far more successful than stateside for some bizarre reason] and delivers a satisfactory experience. Unfortunately, the same can’t be said for die-hard
Terminator fans, but I’ll get back to that.
The acting is very mixed. On one hand we have
Christian Bale as
John Connor, who despite being an amazing actor – somehow appears beyond wooden here, I’d even go so far as saying he’s beyond even real wood – he’s like
MDF or something – he’s that bad! I almost burst out laughing at one point when he’s after surviving a helicopter attack and an assault from a
T-600 and the radio crackles into life to which
Connor responds “Here!”, but it’s not “Here!” as you or I would say it, even out of breath with serious bruising or whatever; no,
Bale delivers the word like an acutely constipated
Batman who’s been winded by a Scotsman’s saber to the chest. The amount of projection he infuses into almost each line is staggering and far more distracting than his permanently-choking
Dark Knight – it’s ridiculous. Add to that, the insanity of casting
Michael Ironside, who talks like that normally!!! [Hang on
didn’t
Ironside play a resistance leader who was also prepared to sacrifice prisoners for the good of the mission in a certain Alien invasion TV show in the mid-80’s?]
Thankfully,
John Connor is only half the movie. The better half is
Sam Worthington, whom
Cameron has also bagged for
Avatar, as
Marcus- who as you’ll know from the spoiler-ridden movie trailers is a highly advanced
Terminator – who thinks, nay – believes- he’s human. This man single
handedly saves this film from
shitsville despite the character making absolutely no sense at all in the grand scheme of the
Terminator timeline. It’s an incredible irony. Another casting decision I must wholeheartedly agree with is giving the role of
Kate Connor to the one true Goddess
Bryce Dallas Howard who [has achieved #1 status in
Whoppers Hotlist 2009. If only I could make a cream out of her and rub it all over my naked body] despite being somewhat underused she lights up the screen when on it.
The best accolades you’ll find bestowed on
Terminator: Salvation in reference to how good a
Terminator movie it is will be that is that it is about as good if not better than
Johnathan Mostow’s
Terminator 3: Rise Of The Machines. What’s different in
McG’s vision is that people are not just running around in blind panic [practically everyone in the movie is a hardened vet]. I don’t suppose you can have that going on for a two-hour movie and not have it labeled as survival-horror, a notoriously saturated genre today. However the essence of
Terminator is “the chase” and “the suspense,” it is still possible in this setting, but
McG just
doesn’t deliver. It seems like he thought that if
Cameron did one better than
Alien with the vastly superior
Aliens by changing the “threat” of the
Alien by having more of them rather than just one powerful one- that he could do the same with
Terminator. The problem was that
Cameron made it work, but
McG and his crew did not. Even
Danny Elfman who composed an adequate score- did not use
Brad Fiedel's
Terminator theme, something
T3 composer
Marco Beltrami knew was an essential part of the essence of his movie but there's nothing familiar here either now.
I was very impressed with the art direction, namely the ruined L.A. and there are some amazing technical achievements in this movie, not least of which is an outstanding
CGI rendition of
Ahnold as the original
T-800 prototype. Sadly after spending a colossal amount of money on this sequence,
McG completely bollixed up by assassinating the character of a
Terminator – he had the
T-800 toy with his prey by throwing him off ledges, up against surfaces and all sorts of crazy shit instead of grabbing them and rending them limb from limb or crushing the throat. A
Terminator terminates – full stop, there’s no game, there’s no playing, a
Terminator doesn’t soften up its victim – this was bad writing – it would have been much better to show the
T-800 emerging from its cocoon or whatever and start eliminating the fleeing prisoners and approaching- but never catching
John Connor until the last moment when
Marcus would step in or something; a lost opportunity – that would’
ve created tension and we’d see a load of people die horribly. That was something else this movie lacked too; the 12PG rating meant little in the way of the horrific deaths we should have seen with blood, dismemberment, bullet impacts etc. It was all just a bit too sanitized. There’s a reason why the original is so loved 25 years on – it’s R-Rated.
While it’s unfair to equate the
Terminator franchise with the
Batman franchise of the 90’s, it would seem that once again an unpopular director has been responsible with a loss of confidence in the brand. I think it may be better for Fox now to forget about a
T5 and wait and attempt to do exactly what Warner did for
Batman, what Paramount did for
Star Trek and what Sony did for
James Bond and that is to wait a while and just do a reboot for the new generation. We can wait 10 years if it’ll be done right.
Final Verdict: This is a great action movie but not such a good
Terminator movie. While I’m positive that
McG is not a bad director, he was just totally the wrong director for the serious, bleak subject matter.
Colonel
Creedon Rating
***1/2