First Play Review: Mirror's Edge [2008]

I saw Josh Strife Hayes play Mirror's Edge recently and thought I might get it and give it a go. Developed by DICE of Battlefield and Battlefront franchise fame in 2008 for Electronic Arts, Mirror's Edge is a first -person free running adventure game where movement and timing are key to success.

The game casts you as Faith Conners a young free runner who lives in an outwardly comfortable and crime-less society society but in secret is rebelling against the totalitarian regime that controls the media and citizens. Once her police-officer sister is framed for murder, Faith is relentlessly pursued by other members of the security forces "Blues" and must investigate the murder and clear her sister while evading Blues by jumping rooftop to rooftop. The story is written by Rhianna Pratchett and told mostly through a series of beautifully and stylistically animated cutscenes when you're not racing through the FPS world.

As the game was inspired by the parkour action scenes of Casino Royale and The Bourne series of movies, the most present aspect of the game while playing is movement. Fast, nimble and agile movements are required from your character as an extension of the player's hands. It's your job to manipulate Faith's abilities as she runs and jumps through an environment where one single fumble or misstep could be her last (until it reloads the checkpoint). The environment itself is unique for such a game. It's comprised of mostly white coloured walls and buildings with some features coloured in more significant colours, blue, orange, red, yellow or green in order for them to stand out and draw your attention. Red objects for example, are important as their placement means faith can use them to grab on to or jump from. Your eyes are drawn to the colours and identifying these objects and using them is crucial to the split-second decisions when you're moving and often evading weapons fire coming from behind you.

Combat is a very secondary mechanic here. Despite her slight frame an unarmed Faith can best a fully armed and armoured Blue with fists and feet, swift movements to evade being shot or clubbed, or grab a weapon from the floor or being held by an enemy. When you grab a weapon you can use it to shoot and kill enemies but it slows you down and you can't grab the surfaces you will likely need to use to evade other enemies so it's best not to hold onto it for long; this isn't a 'real' FPS.

While I enjoyed my time in the game I found that after almost 5 hours of excessive trial & error gameplay that the jumping mechanics required to progress were just a little beyond my skill or patience to learn. I also wasn't engaged enough in the story to investigate if there were cheats to "fly" as that more than a god-mode would be more necessary to progress. A pity to end in the middle, but something I can live with. 

Final Verdict: It's clear from the get go that DICE set out to make something fresh and unique and focus on traversal rather than combat or exploration to establish a new type of game. It was a great idea and implemented well. The sequel Mirror's Edge: Catalyst was not as well received and I doubt the franchise will continue. Mirror's Edge has a cult following and place in the hearts of those who love it, love parkour or enjoy trying new things.

Technicals: 4.5 hours approx on Windows 11 with an RTX4070Ti @ 2540x1440 / 60FPS

Bugs: Offers 21:9 resolution but displys in 16:9. One freeze and lock-up (reported as a common error in forums).

Availability:  Steam/GOG/EA Store €19.99. Review copy €1.89 from GOG in January 2023.

Mirror's Edge games:

• Mirror's Edge [2008]
• Mirror's Edge: Catalyst [2016]

First Play Review - Starfield [2023]

While I have dabbled in The Elder Scrolls III: Morrowind and did spend an hour in the original Elder Scrolls: Arena I've largely somehow managed to not play a Bethesda Game Studios game to any significant degree. I'm acutely aware that both the Elder Scrolls and Fallout franchises are recommended, I have in fact every single, and I mean every single game in those franchises (including the non-BGS games) in my backlog library still unplayed. I'm well informed that for the most part they're considered great. especially Skyrim but I never just got around to installing or playing them yet.

In 2018, Bethesda announced Starfield, their first new IP in over 25 years and one set in the vastness of space. The subsequent 5 years of hype led to the belief that we were going to get a true next-generation Mass Effect-rivalling space RPG adventure with exciting FPS shooting, in-depth spacecraft and outpost building and enough open world exploration on 1000 planets to last 10 real years. I knew before too long that this was going to be my first ever properly played BGS game. When the game was finally released on September 6th 2023 however, the expectations from the hype began to be shattered. What we did get was a mediocre RPG with a lagging main plot, last gen graphics (with no DLSS, HDR settings or an FOV slider*) pushed by an ageing creation engine, and while 1000 planets were delivered, they all had the same identical structures which most players were bored of within 10 days let alone 10 years. Most egregiously - all of the game systems and areas were separated from one another by literally dozens of loading screens as if from the age of gaming gone by.

Initially, Starfield is an exciting new prospect, you create your character and embody a miner who uncovers a buried artefact of unknown origin and experience a mesmerising vision. You join up with a group of privately funded space explorers to find answers and unlock the mystery you have discovered. I was warned not to expect too much from the 'main plot' of a Bethesda game and being well versed in completing side quests before advancing any main plot I basically collected every faction quest, side quest, odd job, bounty and delivery mission I could and did a whole lot of that before continuing the plot. Once I came to terms with the idea that faction quests and some side missions were far more interesting than unlocking the secrets of the universe, I enjoyed myself a lot more.

Traversal varies from OK to abysmal. In city areas (with no map) for the most part, you're always on foot but can use a boost pack to increase speed or altitude depending on where you're going. It makes sense while exploring the unknown to use it especially as for some stupid reason Bethesda didn't give you any vehicles to use in their open world areas that cry out for some way of quickly traversing their mostly featureless landscapes. FPS combat is actually pretty good for an RPG; Id Software (whose publishers are Bethesda) were brought in to help with that for obvious reasons, and their expertise is clear from the quality of the combat and weapons. Space combat isn't too involved and gets trivial when you get the hang of upgrading your ship beyond all competition. 

While there are no 'survival mechanics' in the game (probably for the best), there is a punishing inventory system which is possibly the worst I've ever encountered  in almost 30 years of inventory management since Diablo. In a world where you have technology like artificial gravity, you have a pitiful carrying capacity compared with the amount of equipment you feel you should be carrying around with you. It's worse in the early game because you don't have weight-limit reducing equipment or perks and you actually want to pick up stuff to sell for credits. But if your ship is 3-5 minutes away on foot and your carrying loot, it becomes a 10 minute journey because when you're encumbered, you're slower and you develop breathing trouble if you try to run - and unlike every situation in the rest of the game where you can just fast-travel - when you're encumbered, you can't fast travel! This is the only time when you literally would always chose to use fast travel and BGS says no! It's infuriating and the only thing I eventually modded out of the game was the numerical "weight" of all items. If I couldn't do that, I'd have quit.

I sunk considerable time in the researching and modifying of weapons, ship construction and base building. I genuinely enjoyed playing with these systems especially creating your own star ship where I was able to eventually craft a near-invincible vessel which shredded enemy spacecraft in seconds. Personal weapons were also interesting to upgrade and I reached a point where I was carrying the best weapons to eliminate any mob, human pirate or alien beast and carry thousands of rounds of ammo for each. These situations posed their own issue, when the slightest hit from your least powerful weapon one-shots your enemy it does seem a bit cheesy, so I turned up the difficulty for the first time in a game in a very long time to compensate for being so overpowered due to crafting min-maxing.

Starfield has a very broad gameplay loop, it's probably fairer to say it has several gameplay loops. No game session need be exactly the same - you can proceed with the main plot, do one of the vastly superior faction quests, spend time researching and applying upgrades for your weapons and equipment, design and build a base which can mine resources and establish transport hubs around the galaxy. You can design and build your own spacecrafts, fly around space in said spacecraft as a space-trucker, be a pirate, explore new star systems, be a bounty hunter and destroy pirate vessels. You can travel to and land on planets and explore, kill wildlife, extract resources, raid outposts and collect bounties by eliminating nefarious individuals. There is a lot to do that's up to you how much you want to do of it. 

Starfield's 1000 planets is supposed to be a selling point BGS is proud of. In reality it's too big a player arena. Only some 10 or so planets have meaningful content established in cities or settlements but the other 990 are variants of what you'd expect from what passes for procedural generation among game developers. The overwhelming majority are dull anaemic experiences where you as a player with a mind-numbingly slow jetpack spends far too many long laborious minutes hitting space-bar from your ship to a point of interest. Imagine the jaded reaction you'd have when you reach the point of interest to find out that it's the same procedurally generated structure as the last one you found on a different planet, the only difference is the gravity here is lighter or the surrounding rocks are a different colour. Bethesda seem to think that because Neil Armstrong wasn't bored by exploring our barren moon we should be filled with the same sense of awe. They seem to misunderstand that Armstrong while certainly was in awe and doing something no one had done before, (which was his purpose), but was also doing his fucking job and was being paid to do it! As players were expect exciting entertainment from minute to minute and are paying for that - that's the purpose of entertainment.

Starfield's technology is frankly abysmal. For starters, the Creation 2 engine looks like it's state-of-the-art for 2013. In 2023 it pales in comparison to something like Unreal Engine 5 and it further compounds players bafflement when you're met with loading screens every time you want to go somewhere to enter small areas like one room shops in cities or even when leaving your own ship on a planet which you can clearly see has already rendered outside! The segmented nature of the game suggests the engine cannot handle areas even a fraction of the size that most other game have been doing for the past 10 years or more. There's no atmospheric travel or control over your landing site; something No Man's Sky handles without issue so something with the scale and scope of Starfield feels like a regression of technology by comparison. Loading screens aren't annoying in games from 2003 because people understand they were a necessary solution for the game developers to stitch content together and back then did not know any better. Game designers have since been leveraging technology in the meantime to no longer require loading screens to to modern engines, and when they are required, blank loading screens are masked them with clever cutscenes or using narrow passages between areas where you can only go forward until the content on the other side is loaded. Starfield just gives you blank screen with a timer depending on where you're going and it's jarring to the immersion and totally absurd in 2023.

Final Verdict: Starfield is not a broken game but it's a deeply flawed design at a fundamental technical design level. However, it was still somehow compelling to play and engage with all its systems to see what you can do.  There is a vast quantity of experiences but precious little depth in most of them to back them up and this won't suit everyone. It's honestly not bad enough to hate, or anyway good enough to love and I'm unsure what can be done to fix it as the is the core of the game, decisions made at the outset of its design were fundamentally flawed and I doubt DLC or mods can fix it.

Technicals: 350 hours via Steam on Windows 11 with an RTX4070Ti at 3440x1440 at 60FPS approx (120 FPS approx with DLSS after many weeks). HDR (available weeks after launch) enabled in game.

Bugs: Starfield is heralded as BGS' least buggy game. I encountered some floating rocks, unclothed NPCs, NPCs that would float into the air, missing spacesuit and helmet visuals while on a planet without an atmosphere but none of these actually prevented me from progressing with anything I intended to. One bug however prevented enemies from appearing on enemy ships, so if you boarded them in space they'd have no crew or if they landed, no crew would disembark. Entering a code in the command line corrected this bug however so it was an easy fix.

Purchase Options: Available on Steam for €69.99. Review copy purchased from Steam for €56.93 in Sep 2023.

 *These features were added in December 2023

First Play Review - RoboCop: Rogue City [2023]

 

I've made no secret of the fact that Paul Verhoven's RoboCop is my all time favourite movie. A violent sci-fi drama from 1987 fuelled with hilarious satire in a dark yet deeply prophetic vision of future Detroit. It's the story of Alex Murphy (Peter Weller) who is brutally killed in the line of duty and a nefarious corporation who turns him into a cyborg to prevent crime, and protect their investments. Throuhout the years I felt it would have made an interesting videogame but the franchise was only ever realised by the original Ocean side-scrollers of the 90's and something that only earned 22% in reviews from PC Gamer like Titus Interactive's RoboCop in 2003.

I was delighted in 2021 when I heard RoboCop was getting a real modern video game treatment from developers Tayon, who from all accounts nailed a Terminator game a few years back. Considering the state of a lot of AAA titles are released now, I was glad that a smaller AA studio would handle this as it can often be a labour of love and not something which demanded millions in sales for greedy shareholders. I followed the announcements and developments over the months and as soon as was announced, I signed up to be a beta tester for Robocop: Rogue City in the Summer of 2023.

We were given a three hour demo to evaluate, which was basically the first levels of the game. Using the power of Unreal Engine 5, it became quickly apparent that the interactive RoboCop simulator I wished for had become a reality!  The look and feel of Verhoven's vision had been captured beautifully, so 80's with the sights and sounds, satire and violence from not only the original RoboCop but also its 'adequate' but not as beloved sequel RoboCop 2; the game does thankfully not reference the abysmal RoboCop 3 except for foreshadowing at endgame, but only lore from RoboCop and 2 is included here and it plays like what a real RoboCop 3 should have been. I yelled audibly when an enemies head exploded in a shower of gore and cackled when I punched a perp through a glass window thirty storeys up! It was so impressive that I practically forgot I was meant to be evaluating it and recording bugs.

Crime is everywhere, including smokey backrooms of sleazy game arcades

The main bugs I did find in the beta related to some broken dialogue choices and an issue with some cutscenes and camera work on 21:9 Ultrawide resolutions but these were all fixed by the time a demo was released for the game in early October. This demo served two purposes: so people to evaluate if it would work on their PCs and I think it was also a calculated marketing move. It's relatively unheard of today to have a game demo and the way companies like EA release unfinished games like Star Wars Jedi: Survivor prove it's because they don't have confidence in their product. RoboCop: Rogue City publishers Nacon certainly had confidence and despite some early frame-rate issues (as with most UE5 games to be fair) these were fixed and the games eventual release in November 2023 was a massive success.

The full game is a work of incredible commitment on behalf of Teyon who clearly scoured over the movies, recording features and details at an extraordinary level in order to recreate the movie's style in the game. This is most evident in Metro West, Robo's police station. Many details are lifted from the movies and much is fabricated in the same style so that it feels just like the location on screen. Other locations seen are the disused steel mill where Murphy was killed and the industrial waste area where Bodikker and Robo had their showdown. While the game's story events are different, it's still in Old-Detroit and criminals invariably seem to gather in the same places, so seeing these familiar areas again was nostalgic.

RoboCop is not a chatterbox, but every line is delivered by Peter Weller himself

The game's audio isn't the highest quality. It was pointed out during the beta a few times that RoboCop's weapon the Auto 9 did not have the 'oomph' to the sound it had in the movies. The fact 100 testers agreed and it wasn't addressed has led to a belief that it was a permissions issue from MGM and Teyon/Nacon did not have free reign to use every exact sound lifted from the movies. One of the game's selling points had to be that Peter Weller was on board to voice RoboCop's synthesized dialogue. Despite his voice obviously being 35 years older, it didn't distract from his excellent performance. The talent for the other voice actors were somewhat mixed, VAs for Reed and Lewis were well imitated but others like Casey Wong and 'The Old Man' while well acted, sadly did not fit the characters well and it was a little jarring to the immersion. The game also benefits from many of RoboCop's original themes reused from the late Basil Poledouris' score but it was perhaps a little too subdued in places for where new music was created.

The game's gameplay will not be for everyone - but it should really be expected for anyone vaguely familiar with the character of RoboCop. This is an FPS and you are in the RoboCop suit so you're a slow moving tank making your way though pretty linear levels shooting everything that moves. No innovative gameplay here - but it's not needed as it would then not be true to the movies. The targetting and readouts of Robo's HUD are reminiscent of the movies but artistic licence was taken here as more game information needed to be displayed permanently than would have been necessary in the movies such as health, direction and combat info etc. It's not all mindless shooting however, there are some small open-world sequences allowing Robo to wander from one objective to another continuing the main investigation or side quests to follow his prime directives of serving the public trust, upholding the law and protecting the innocent by performing tasks like rescuing kittens from burning buildings or slapping parking tickets on illegally parked cars. There are many sequences which evoke the satire of the movies to varying degree, some of them are true gems.

While firmly an FPS there are some RPG-lite mechanics in so far as you have a 'quest list' of various objectives that help the main investigation and other associated police work. Level exploration reveals secret OCP ammo dumps to retrieve health batteries and upgrades for Robo's Auto 9 pistol (you do get the ability to pick up enemy weapons and used them like AK47s, Uzi sub-machine pistols or the Cobra Assault Cannon but 99% of the time you're shooting your upgraded Auto 9 because you rarely feel you need another weapon unless the game prompts you to use one at a specific time. You can also avail of a skill tree that allows RoboCop to become more defensive, offensive, better at deduction or technical tasks or reveal new dialogue options to gain more XP which in turn get you more points to spend.

Yes you are of course immune to fire

The story fits in nicely after RoboCop 2. The 'Nuke' drug is still the bane of the city, Mayor Kuzak is up for election and the arrival of a new criminal mastermind investing in the city's gangs have emboldened them to become more brazen and aggressive. Robo himself is still haunted by memories of his wife and son which caused him to glitch at a key moment so OCP put a chip in him to evaluate his performance as well as get him a psychiatrist to sort out his humanity and it becomes a theme throughout the game where you can make choices for Robo to either embrace his humanity as Alex Murphy or reject it to become a perfect product.

Final Verdict: RoboCop may not have the polish associated with AAA releases but it benefits from not having the bloat required by such higher profile games need to be successful. It also has what seems to be lacking ion AAA development of late: a team of developers at Teyon who unequivocally prove they adore the RoboCop franchise and concentrated on delivering an movie-quality experience without the injection of modern social politics. This is better than my expectations and if there's more to come, I'm there.

Technicals: 30 hours approx through Steam on Windows 11 with an RTX4070Ti @ 3440x1440 175Hz. Average  FPS: 160 with DLSS3

Bugs: Some crashes, about 5 usually after 3-4 hours of continuous play.

Purchase Options: Available on Steam for €49.99. Review copy purchased from GamersGate for €37.49 in Nov 2023.

20th Anniversary Review - Star Wars: Knights of the Old Republic [2003]

Following their considerable success with the Dungeons & Dragons license in the form of the Baldur's Gate and Neverwinter Nights games, Bioware approached LucasArts in 2000 with a view to creating a Star Wars RPG in the same vein. LucasArts offered Bioware a license for game set around Episode II, The Clone Wars era or a time 4000 years in Star Wars' lore past popularised by the Tales of the Jedi comic book series. The latter was chosen as it Bioware felt it would allow more creative freedom in comparison to the rigidity required of the movie era.

It proved to be the correct decision and Star Wars: Knights of the Old Republic (KOTOR) was released in the summer of 2003 to overwhelming critical acclaim from not only Star Wars fans but general RPG gamers; both veterans and those new to the genre. The game blended the D&D core principal of the d20 System and fused it to the actions of the characters be they Jedi with lightsabers or Sith troopers with blaster rifles and replaced D&D spells with Force powers that could be resisted depending on the many stats, skills and feats your characters were proficient with. All of the calculations were accessible if desired but were hidden by default to make the game more accessible to more casual gamers.

You create your own character from a set of basic archetypes, Soldier, Scout, Smuggler and later train to become a Jedi - or not! This is one of many major choices that you have over the expansive game which takes your character from the urban sprawl of Taris to more familiar Star Wars locales such as Kashyyyk or Tatooine in a search for maps to the mysterious Star Forge, a weapon that the Sith intend to use to dominate the galaxy. Choices also influence morality and party interactions which is more pronounced to previous Bioware D&D RPGs as Star Wars lore defines good and evil by the light and dark side of the force and your actions move the needle in certain directions towards being a paragon of the light or falling to the dark side - the latter which makes your skin turn ashen and your eyes yellow. 

While subjective, the game is cited often as the greatest Star Wars game ever, although others have more regard for it's sequel. It is also listed as one of the best all round RPGs of all time for story and character development. It was unsurprising that in 2021 it was revealed that a remake of Knights of the Old Republic was in development at Aspyr for Sony Interactive for a PS5 release. Sadly the project appears to be troubled at time of writing following development being transferred to Saber Interactive. This delay as well as the event of the 20th anniversary of the original release on November 11th prompted me to install and play the game again.

Not having played KOTOR in a while I was quickly amazed by how well it looks at high resolution (and a few community mod tweaks over the years which were simple to install). The game used the Odyssey Engine, a successor to the Aurora engine from Neverwinter Nights but a precursor to the Eclipse Engine used in Dragon Age: Origins. KOTOR boasted graphical features such as waving grass and blowing dust which were significant graphical features at that time.

The game-play is a version of real-time with pause and while it has dated significantly from more modern action-oriented experiences, it's not too jarring provided you remember how it's played from before. Being a 20 year old title from a time when developers often experimented with their own engines tuned to specific generations of hardware means that KOTOR won't run 100% out of the box on modern windows for everyone. While for me the Steam version did run for me, a fix to force the 21:9 Ultra-wide resolution would not display dialogue choices and a resolution shift to play the BINK cutscene videos meant I would lose visuals on those for 5 seconds each time. I reverted to 16:9 on a Windows 10 machine to achieve a more fluid experience.

Other game mechanics include some light crafting where you can customise your Lightsaber with different crystals that alter the colour and power of your blade as well as reinforce armour and enhance blasters if you so choose. One clever aspect is that one can avail of  persuasiveness using the skill or a high CHA stat or also employ "force persuade" during dialog options which is useful for convincing guards you actually do have permission to be here and they don't need to see your identification. Using it to reduce prices from vendors or NPCs providing services sets you on the dark path however. 

The interface is naturally very dated, modern resolutions change the experience and sadly mods can only do so much in that regard, but text is still readable and everything works as it's supposed to even though it may not look as it should. While Bioware coded the game and it's visuals, the audio aspect was directly handled by LucasArts themselves. Jeremy Soule's magnificent score was recorded on an state-of-the-art 8-bit midi system, not as rich musically but a far better solution then using CD audio tracks of rehashed John Williams movie scores as of oft done in the day. The voice cast was led by Ethan Phillips, Raphael Sbarge, Phil LaMarr, Ed Asner and Jennifer Hale who along with some 100 other voice actors recorded 15,000 lines of dialogue.

Final Verdict: Despite it's age, KOTOR is still a worthwhile Star Wars experience in gaming. The development of your character as they blast, cut, and talk their way though the some 60-hour story and the eventual reveal of one of gaming's most legendary plot twists has the same impact of Vader's "I am your father!" from The Empire Strikes Back. I would still recommend it today for anyone who loves either Star Wars, RPGs and especially those playing the MMORPG Star Wars: The Old Republic to witness the lore origins for the Infinite Empire, places like Taris and Manaan, and enemies like the Rakghouls and Rakata.

Technicals: Played via Steam for 55 hours on Win 10 @ 2560x1440 resolution using Nvidia GTX980Ti

Mods & Addons: May be required depending on system. UNIWIZ required for desired resolution. Installed: Community Bugfix v1.9.2, Selphadur's Kotor Texture Redux v1.1 Standalone-1302-v1-1-1577535482, Kotor High Resolution Menus (HRM)

Bugs: Three unexplained CTD over the course of 55 hours. Character freezes after combat bug, mitigated by locking framerate to 60FPS (common with older games when encountering higher refresh rates of the 2020's)

Purchase Options: Available on Steam or GOG for €9.75. Is often found for sub €3 alone or bundled with it's sequel. Review copy purchased from Steam for €2.25 in Dec 2010.

Star Wars Knights of the Old Republic series:

• Star Wars: Knights of the Old Republic (2003)
• Star Wars Knights of the Old Republic II: The Sith Lords (2004) 
• Star Wars: The Old Republic (2011)
• Rise of the Hutt Cartel (2013)
• Shadow of Revan (2014)
• Knights of the Fallen Empire (2015)
• Knights of the Eternal Throne (2016)
• Onslaught (2019)
• Legacy of the Sith (2022)
• Star Wars: Knights of the Old Republic — Remake (???)

First Play Review - Battlefield 1 [2016]

While WWI may have had only a quarter of the casualties of WWII its brutal and often more personal conflict somehow never really captured the imagination of game designers like its successor did. Now to be fair, there are about a hundred WWI games published, including combat flight-sims, real time strategy games and even some first person shooters but WWII games far exceed a thousand titles by comparison. No WWI game has ever been a AAA studio tent-pole franchise unlike Medal of Honor, Call of Duty, Company of Heroes, Wolfenstein or Hidden & Dangerous to name a few. That changed surprisingly in 2016 when developers DICE who had previously developed Battlefield 1942 (and then 8 sequels) declared the 10th in the series would be called Battlefield 1 and set the game firmly in WWI.

I took the opportunity recently to play "War Stories", Battlefield 1's single player campaign. DICE departed from a more conventional linear narrative and much like Call of Duty told some stories from different perspectives. While CoD usually tells one story from different perspectives, "War Stories" are interconnected, emotionally charged vignettes that explore the diverse dynamics of World War I. You play a portion of the lives of several protagonists in different situations from a unique perspective, during one of the deadliest conflicts in history, adding a layer of authenticity and depth to the campaign. From the muddy trenches of the Western Front to the sandy deserts of Arabia, players witness the impact of war on different characters, each with their own struggles and motivations offering a human look at the oft-dehumanising events they take part in.

Using EA's Frostbite engine originally developed for the Battlefield franchise, the graphical fidelity and attention to detail shines in Battlefield 1. Lighting, weather effects, and realistic character animations contributes to the overall immersion. Each varied environment is meticulously designed, capturing the grim and harrowing nature of World War I. The diverse scenarios of intense infantry combat, stealthy operations, tank warfare and even a thoroughly enjoyable aerial campaign showcase the flexibility of the Frostbite engine. I admit some segments do feel heavily scripted which does sometimes frustratingly break the gameplay, but it never really broke the immersion.

 

No shortage of exceptional acting talent and voice work was brought to the fore in "War Stories". Among those lending both their voice and likeness to characters were: Ed Speelers (Outlander, Star Trek: Picard), Mark Bonnar (Napoleon), Jack Lowden (Dunkirk), Agni Scott (Spooks), Luke Tittensor, (House of the Dragon) and veteran Australian actor Peter O'Brien (X-Men Origins: Wolverine). A phenomenal score was provided by Swedish composers Johan Söderqvist and Patrik Andrén,  who also scored other games in the franchise and this coupled with the authentic weapon sounds and ambient sound design served to further immerse one in an almost cinematic experience.

 

Final Verdict: Much like Activision's Call of Duty, EA's Battlefield franchise is also without a doubt focussed on a multiplayer experience even to go as far as not including a single-player campaign in some releases! While the single-player experience of Battlefield 1 is indeed short-lived clocking in at roughly 8 hours, it is so technically polished and delivers such an impactful narrative experience by itself that it's certainly worth picking up when discounted to <€5. 

Technicals: 8.5 hours approx on Windows 11 with an RTX4070Ti @ 3440x1440 / 175FPS.

Bugs: One mission needs binoculars. These can glitch and you may need to reload.

Availability:  Steam €39.99, EA Store €19.99. Review copy €4.79 from Steam in November 2022

Battlefield Games (mainline only)

• Battlefield 1942 (2002, PC)
• Battlefield Vietnam (2004, PC)
  
• Battlefield 2 (2005, PC)
• Battlefield 2142 (2006, PC)
• Battlefield: Bad Company (2008, PS3/X360)
• Battlefield: Bad Company 2 (2010, PC/PS3/X360)
• Battlefield 3 (2011, PC/PS3/X360)
• Battlefield 4 (2013, PC/PS3/PS4/X360/XOne)
• Battlefield Hardline (2015, PC/PS3/PS4/X360/XOne)
• Battlefield 1 (2016, PC/PS4/XOne)
• Battlefield V (2018, PC/PS4/XOne)
• Battlefield 2042 (2021, PC/PS5/XSX|S)

 

General and Flag Officer Nominations Finally Confirmed

In March Sen. Tommy Tuberville (R-Ala.) stood off against the Pentagon over its reproductive health policies, which provide funds to service members to travel out of state to seek services (including abortions) by voting to withold confirmations of general and flag officers for the entire year.

He finally lifted the block this week with the press statement “I’m not going to hold the promotions of these people any longer, We fought hard.” On Tuesday The Senate confirmed senior military nominations of some 421 officers, a massive bloc that built up over months.

SECDEF Austin released the following statement:

Below is a sample of the huge amount of confirmations: 

Life on K2-18b? SPEARHEAD Concerned!

"We'll be ready!" Major General "Whopper" Creedon

News reports have surfaced detailing a discovery by Cambridge University scientists of a life-produced molocule on K2-18b 120 light years away.

Using the James Webb telescope, the scientists made the shocking discovery with research leader Prof Nikku Madhusudha. He indicated that on Earth at least "DMS is only produced by life. The bulk of it in Earth's atmosphere is emitted from phytoplankton in marine environments." This coupled with additionally detected methane and CO2 in the atmosphere indicates the possibility of an ocean!

Major General "Whopper" Creedon,  SPEARHEAD Deputy Commander for Global Security has said that the organisation remains cautious but ultimately is of the opinion that this is another Venus life hoax.

"In 2020 in the middle of ****** Covid we got all suited up with nuclear and high density laser weapons in preparation for a Venusian invasion that never came," grumbled Creedon. "Some science crowd in Cardiff of all places thought they saw phosphine at Venus with notions that it was of non-biological origin. This was disputed a year later and forgotten about!"

"But" Creedon added, that may be what we want the Venusians to think - and we'll be ready" he promised.

 Source: BBCNews

First Play Review - James Bond 007: Blood Stone [2010]

While there are more James Bond games than there are movies it's not uncommon for PC gamers to have never played a Bond game. This is mainly due in part to two factors: The majority of James Bond PC games not considered great adaptations of the franchise (as most movie-based tie-ins are not) and the fact that once a publisher loses its publishing rights, the game is withdrawn from distribution so they are difficult to get hold of if you were too late in buying it. Case in point: There are at time of writing no James Bond games available to purchase for the PC.

About a dozen Bond games existed before EA games acquired the license to produce the mediocre Tomorrow Never Dies game in 1999. While they arguably failed to capture the level of success Nintendo had with GoldenEye 007, they still released several Bond games that were well received - Agent Under Fire and James Bond 007: Everything or Nothing (both consoles only) and 007: Nightfire (which sadly had a poor PC port). The Bond license changed hands to Activision in 2007 who released a mixed bag of games over the next 5 years but most natively supported the PC. 

Quality of the games aside, the delisting issue is more problematic as  one that happens there's no advertising for Bond games that are removed from sale so it's much more difficult for casual gamers to get a hold of and enjoy them. That's an issue for this game - James Bond 007: Blood Stone when it and all of Activision's James Bond franchise games were suddenly de-listed in 2013 when Activision chose to end its license with MGM a year ahead of an eventual expiration; likely following the poor performance of its final Bond game 007: Legends. 

Despite its rocky position James Bond 007: Blood Stone is a 3rd-person cover-shooter that got similar praise to EA's efforts for its more original take on a Bond story rather than when a developer just lifted story beats directly from whatever movie the game is named after. Set between Quantum of Solace and Skyfall the game opens with Bond (Daniel Craig) foiling a plot to assassinate the G-20 leaders in Athens. M (Judi Dench) assigns him to recover a researcher from Istanbul where he was believed to be taken after being kidnapped. This puts Bond on his usual globe trotting hunt for the researcher and more importantly, his research, which if weaponised could be used to create a chemical WMD. The by-the-numbers Bond-outing takes him to the casinos of Monaco, a Siberian chemical refinery, the streets of Bangkok and the jungles of Burma.

Blood Stone's gameplay is fairly simplistic once you get used to the somewhat awkward control scheme. You control Bond as he traverses a mostly linear path through the varied environments. As a cover shooter, it's not too much run and gun as opposed to stealth and taking cover behind every obstacle and choosing your time to strike, making it very Splinter Cell like (it even has Conviction's mark & execute mechanic). Weapons include your Walther P99 and practically anything your enemies drop from machine guns to assault rifles when you need them. Getting shot reduces your health (obviously) and it will happen when you're out of cover for too long. Thankfully it regenerates once you're behind cover allowing you to just wait until it's full again before you shoot back.

Developers Bizarre Creations were well known for driving games having developed three Project Gotham Racing games for the Xbox. From this experience it was a given that they would have added some form of vehicular Bond action. They created an incredible boat chase, fast car-chases on the highways of Monaco and a chase involving a mega dump truck in Thailand! These sequences serve to break up the game while offering a different way to experience the action that feels as cinematic as a Bond movie.

While video games are great playgrounds for Bond type gadgets, Blood Stone game sticks to the more realistic interpretation of the Daniel Craig era, so your only gadget is really your mobile phone which admittedly does a little more than your phone does by scanning evidence, opening locks and handily identifying enemies behind walls etc. 

One stand out feature of a Bond movie is of course both the title song and it's musical score. No expense was spared in this department for the game's music. The song, entitled I'll Take It All was co-written and performed by British artist Joss Stone who also leant her likeness and voice to the game's Bond-girl Nicole Hunter. The game's score was composed by Richard Jaques (Mass Effect) who respected the essences of both John Barry and in particular David Arnold to create an original score fitting for the era. Jaques recorded brass with musicians at Abbey Road Studios, many of who played on all of the James Bond film scores over the years.

Final Verdict: Blood Stone was the PC's consolation prize in a year where Wii and DS owners got a new version of Goldeneye. While the unintuitive controls take a bit of practice and it originally averaged a mere 63% in Metacritic, the game has been re-evaluated a lot over time and is worth a look to experience a very cinematic style Daniel Craig Bond adventure.

Technicals: 6 hours approx on Windows 11 with an RTX4070Ti @ 3440x1440 / 60FPS (engine lock).

Bugs: None recorded

Availability:  This game is delisted from sale and cannot be legally obtained digitally.

James Bond Windows PC games :

• James Bond 007: Nightfire [2002]
• James Bond 007: Quantum of Solace [2008]
• James Bond 007: Blood Stone [2010]
• 007 Legends [2012]
• Project 007 [TBC]

First Play Review - Horizon Zero Dawn: Complete Edition [2020]

In 2020 Sony announced it was going to begin to publish its first party games on the PC platform in order to increase profitability. I have recently enjoyed three of Sony's first party ports Spider-Man Remastered, The Last of Us Part I and God of War and after the recent untimely passing of Lance Reddick who lent his voice and likeness to Sylens, one of Horizon Zero Dawn's NPCs it was time to try out the first game published under this new initiative, an open world action RPG that was favourably received on the PlayStation. 

Horizon Zero Dawn is set 1000 years after a 21st century apocalypse which sent Earth back to basics with a difference - humanity is no longer the dominant species and the land is now roamed by belligerent 'machine life' resembling creatures from throughout the past. You portray Aloy a young tribal huntress and tracker who discovers an extraordinary AR device from "the old world" allowing her tracking and investigation abilities which give her an edge in combat in the untamed lands. Your goal is both personal, to discover your own extraordinary origins, and world-changing as you seek to end a terrible corruption which has frenzied the machines and has perhaps a more deadly agenda.

Developers Guerilla Games built Horizon Zero Dawn on three pillars, Aloy, the machines and the land. Aloy is a skilled athletic huntress but has lived a relatively sheltered life even by current 31st century standards. She is intently curious about the world which allows the player to learn about it with her. Ashley Burch lends an award-winning performance as Aloy but her character is sometimes too condescending and sarcastic and missing qualities which would allow players to connect with her such as appearing happy or even laughing at appropriate times even if only during cutscenes. Aloy learns a very simple to understand skill tree with some obvious branches to focus on skills more in tune with your play style. She employs an array of customisable weapons to take down her foes either with alacrity or stealth and precision. The weapon load-out itself takes some getting used to, among different types of bows you have slingshots, trap launchers and heavier weapons with rapid-fire bolts most with some class of elemental ammunition as some enemies are weaker to certain effects.

The machines that you will become intimately familiar with during the course of the game are not anything like I've experienced before and are certainly one of the game's major draws. Their general shapes resemble anything from horses to big cats, antelopes, birds of prey and even some dinosaurs. They have pretty solid AI and each type has different behaviours depending on the tactics you employ be it sneak attacks, traps or direct assault. Their destruction is linked to your wealth as the game's economy is based on the parts you strip from defeated machines. Also while initially your only recourse may be to evade or kill, eventually you learn the ability to 'override' machine programming making them docile or even using some as mounts!

The third pillar that the developers focused on is perhaps the most important, the world. This is the second game I've played this year that had an extraordinary environment to play in. The previous one being The Last Of Us Part I had a modern environment with some 20 years of decay, while Horizon Zero Dawn is also a post-apocalyptic game, the fact that 1000 years has passed since late 21st century society fell means that the world is far older and less recognisable. You can cross the land mounted or on foot, climb to perilous rocky heights and explore hidden bunkers of the 'old ones' some which have working machinery and secrets to reveal. You learn out about the fate of the 'old world' as you progress through the game and each artefact, text-note and audio log you find through your AR interface flashes out the world in a way that promotes exploration and discovery. To be honest I'd have even been OK with less enemies to combat so I could explore more at my leisure. 

One of the strengths of the game I believe is that while it has its somewhat unique elements, a lot of it tugs on the familiar at times and while some of the game feels a bit like you're Lara Croft entering tombs to discover secrets and loot but the tombs are like the Remnant vaults from Mass Effect Andromeda. The area you traverse is loaded with as much peril as a Far Cry game. Much of what we learn about the world before is scattered throughout the environment like The Last of Us Part I which can be illuminating as well as e voking both curiosity and sorrow. It is a very effective form of storytelling at this pace. Finally, the AI apocalypse is very reminiscent of the Terminator franchise's Skynet only here you are not the resistance, and humanity was the clear loser in that conflict... or was it?

DLC: Horizon Zero Dawn on PC is the Complete Edition and includes the expansion The Frozen Wilds which extends Aloy's adventure into an new area outside the main game's plot and can be played at any time after Level 30. I waited until after the main campaign and was glad of it as the new armour and weapons you acquire there would make of the original campaign encounters trivial. The Frozen Wilds as the name suggests is filled with ice and snow to a greater degree than the snowy areas of the original map and it's enough to make the environment quite different but no less mesmerising with periods of light and heavy snowfall brightening your surroundings at night as well as by day.

Final Verdict: With unique and exciting combat, impressive and useful stealth mechanics, an interesting and emotional plot and an extraordinary and beautiful world it requires serious nitpicking to say anything negative about the game. Aloy is a great character even if not too likeable and I get serious Far Cry vibes from the fact that every couple of hundred meters something wants to kill you! Still, I've not enjoyed a vast open world game this much since Metal Gear Solid V, but unlike that which kept me playing for hundreds of hours after the campaign, Horizon Zero Dawn is done but not forgotten after you've finished and that's a good thing. I'd say overall the game is not actually greater than the sum of it's parts, it's nonetheless a great homage to the mash-up of ideas and concepts it emulates and explores and I will play the sequel when it's released.

Technicals: 95 hours through Steam on Windows 11 with an RTX4070Ti @ 3440x1440 / 175FPS HDR native

Bugs: One crash to desktop. 

Availability: Horizon Zero Dawn: Complete Edition is available from Steam and GOG for €49.99. Review copy purchased in April 2021 for €26.69.

Horizon series releases:

• Horizon Zero Dawn (PS4) [2017]
• Horizon Zero Dawn: The Frozen Wilds (PS4) [2017]
• Horizon Zero Dawn: Complete Edition (PC)  [2020]
• Horizon Forbidden West (PS4/5) [2022]
• Horizon Call of the Mountain (PS5+VR2)  [2023]
• Horizon Forbidden West: Burning Shores (PS5) [2023]
• Horizon Forbidden West: Complete Edition (PC) [2025]?

First Play Review - Black Mesa: Definitive Edition [2020]

Half-Life's hype reached epic proportions when it was shown off at E3 in 1997 promising extraordinary level design and outstanding enemy AI. Even the Die-Hard meets Evil Dead of the story and gameplay set it apart and upon release it clocked up over 50 Game of the Year awards. While it endured in comparison to it's contemporaries at the time, it has now alas aged considerably graphics wise over the past 25 years. While Half-Life is an expertly designed game it's sometimes difficult, even with nostalgia to brave its legendary 15-hour campaign. To much disappointment, a 2004 port to Half-Life 2's Source-engine was not the remaster that most thought it would be. While it did go a little way to improve graphical fidelity, it was basically a simple asset port, and no true incorporation of the advances in technology to the new engine such as physics, lighting or particle effects were to be had.

The lack of a serious remaster by Valve for the game and the fact that CEO Gebe Newell said that it was "inevitable" that someone would fully mod Half-Life into the Source engine, prompted a group of modders called Crowbar Collective to work for some years on a true remaster of the game which they called Black Mesa. It was never intended for commercial release and was missing the Xen chapters but it was released in 2012 to much praise. It was subsequently voted to be released on the Steam storefront by fans though Valve's 'Greenlight programme'. Valve also approached Crowbar Collective with a proposal commercially release the game in the newer version of the Source engine which they agreed to so they could fully realise the game as it was meant to be. In 2015 an early access version was first released and a full Definitive Edition release now including the Xen chapters launched on Steam in 2020.

It wasn't until this was promoted and sold that I took notice. I don't have time to investigate too many mods for games or I'd never get through the backlog but this was certainly a unique case and for a beloved game. One of the best shooters ever melded with the full engine upon which one of my favourite shooters of all time was built. The accolades and review scores were positive so it became 'essential'. Before I had finished Black Mesa the game was over I knew I could never go back and play Half-Life  ever again.

Crowbar Collective did not remake Half-Life with the same level design, enemy placement and give you only the tools to experience Gordon Freeman's adventure through the Black Mesa complex, out to the surface and eventually to Xen exactly as it was. No. That would be a small step up from what Valve did in 2004 for their own game. Here, Crowbar took the 'essence' of Half-Life, the major set pieces, events and battles and created a new take on how Gordon makes it there. It's still the same Half-Life - not to a staunch purist perhaps - but it's so polished and professional that it's hard to come to terms that it's just a glorified mod. They expanded the game to about 20 hours which is not unwelcome as the both the new and familiar environments are exciting to traverse and fight through.

All of the original elements are stunningly realised but with new twists and turns and puzzles. The puzzles don't have Valve's genius behind them but again the essence of what they did is present, the use of gravity for example, as an aspect of being able to manipulate the environment is made possible through the Source engine and is used in ways not even conceived when the original game was created. The level of detail in the broken and sparking underground complex is realised to a more modern level. While the limitations of the engine as it stands may not be on par with games of the 2020's it's still years beyond the late 90's fidelity - or lack thereof.

Despite the accolades afforded to Half-Life upon its release, it's only real issue was the Xen chapters. The setting for Half-Life's final act received the most criticism at the time, and over the successive years. Filled with bland textures and boring zero-gravity jumping puzzles, Xen was lacklustre especially when directly compared with that had come before in the game. Crowbar Collective however took five years to reimagine Xen and it's truly the crown jewel of Black Mesa. Xen is now awash with colour and activity, it begs exploration and it truly now feels otherworldly. Unlike the science facility which is instantly recognisable, Xen is almost nothing like the original save for the main set pieces which even then are quite different. It was genuinely a delight to explore and unlock the secrets and expanded plot of Xen including the exhilarating and terrifying new realisation of the major boss-battles: The Gonarch and The Nihilanth.

Final Verdict: This is not Half-Life as you remember it, it's both the same and very different. But in most ways, all the ways that really matter, it's better! This is the way I'll consume the Half-Life game going forward, embracing this polished masterpiece from a dedicated team of developers who clearly had a passion for the game and wanted to make their ideal version of Valve's original classic. It's time to commit Half-Life to memory and acknowledge that without it, we would not have Black Mesa today.

Technicals: 22.3 hours through Steam on RTX4070Ti @ 3440x1440 / 175FPS

Bugs: None

Availability: Black Mesa: Definitive Edition is only available from Steam for €14.99. Review copy purchased in Oct 2017 for €7.99.

Classic Review - Batman: Arkham Asylum [2009]

As much as I loved Insomniac's Marvel's Spider-Man Remastered earlier in the year, it reminded me that I hadn't played much super-hero video games at all. There had never been much overlap between them and game genres like RPGs or FPS so that did have a lot to do with it. Now as I embrace the actions-adventure genre more and more with the likes of Assassin's Creed, Tomb Raider, Star Wars Jedi: Fallen Order and Sony's recent PC ports I felt it was time to check out something that's often lauded as among the better examples of a super-hero game, this of course is the Batman: Arkham series.

Batman: Arkham Asylum is the first in a trilogy of Rocksteady Studios Batman: Arkham games. It was followed by Batman: Arkham City and Batman: Akham Knight (Batman: Arkham Origins was developed by WB in house and is a prequel game to fill the gap in development time between Arkham City and Arkham Knight). While I had read about the games over the years, all I really knew was that you are Batman and you're up against his popular rogue's gallery of villains; but not directly associated to any comic-book, TV or film version of the caped crusader, much like Spider-Man Remastered.

As Batman (the late Kevin Conroy) you deliver The Joker (Mark Hamill) to Arkham Asylum but soon realise that it was Joker's plan to come to the titular asylum, stage a takeover of the island and turn everyone in Gotham into his personal Bane-venom-powered army! Naturally Batman has to investigate the Joker's plan and subsequently thwart it by taking down dozens of inmates and some of the other more infamous Batman villains Joker has placed in his path.

Batman: Arkham Asylum is an action adventure game and I can really only compare it to Spider-Man Remastered in so far as, like Spider-Man it's one of the only games I've ever played where you don't kill anyone; as this would of course be contrary to the character. Arkham Asylum isn't just a fighting game with a Batman skin on the characters and environment, the gameplay here immerses you as Batman and fighting is just one of the tools employed to get from A to B and complete your objectives. It's possible to bypass some of the combat and evade and sneak past your foes, but that didn't strike me as fun in this setting - everyone must be brought to justice and I subdued everyone I saw - that's "my" Batman.

Combat did take a little while to learn, fighting, blocking, jumping, stunning, evading and using powerful 'takedowns' were not easy to master but once you get the hang of each move they game becomes effortless and you can enjoy the more cinematic experience of Batman breaking the bones of the nameless denizens of the asylum. The enemy types were not too varied and some needed specific approaches such as stunning knife wielders or using the batarang to hit and evade brutes at the last second. Combat became furious if you had multiple enemy types in the same 'arena' and had to employ multiple tactics one after the other, but that was when the game was at it's most exciting.

What wasn't exciting was some of the 'boss' fights. These included Scarecrow's nightmare sequences or a fight against Poison Ivy who was inside a giant plant! The perspective of the game changed from the 3rd person over the shoulder camera to a view of the platform or 'arena' and your movement no longer followed the camera - forward was 'left' for example. It took one out of the game and it was difficult to navigate, let alone fight and evade when your controls no longer did what you expected them to. I got through them eventually but they took longer than I would have liked and didn't appreciated the control and perspective forced upon you.

Batman's most famous accessory is his utility belt with an array of gadgets. You start out with Batarangs and a zip line as standard but as the game progresses you fill the belt with an array of additional gadgets that assist in your progress such as the Bat Claw which can move obstacles or remove AC vent covers before crawling about in them (you do a lot of that) and a gun that squirts a plastic explosive onto a weak surface then manually detonate it to reveal a passage or a secret. Batman's keen senses manifest as "detective mode" where he can see points of interest highlighted in his vision and usually point to something that can be manipulated in the environment to use to your advantage. This can also be use in combat where you can see the bones of your enemies.

I said I would try out the tutorial level/sequence of this now 'old' game to see if it was going to be necessary to add in a new fan made enhanced textures pack. But I was met with vibrant well-modelled characters and atmospheric surroundings. To be honest while obviously not 2020s standards, graphically it was far greater than I would have expected from a 14 year old game. I decided against any texture upgrading and left everything as the developers intended for a change.

Final Verdict: Batman: Arkham Asylum was well worth a visit even if a little late, but it's combat was fluid, gadgets were exciting and your progress as a detective was meaningful as you progressed through a pretty straightforward Batman story. Annoying boss fight mechanics kept it from being perfect but I'm certainly looking forward to trying out it's sequels in due course.

Technicals: 15.5 hours through Steam. 3440x1440 @ 62FPS (game limit) on Nvidia 4070Ti under Windows 11

Bugs: None

Availability: Batman: Arkham Asylum Game of the Year Edition is available on Steam or GOG for €19.99. Review copy purchased in Feb 2019 in a bundle with Arkham City and Arkham Knight for €9.99.

Batman: Arkham series:

• Batman: Arkham Asylum [2009]
• Batman: Arkham City [2011]
• Batman: Arkham Origins [2013]
• Batman: Arkham Origins Blackgate [2013]
• Batman: Arkham Knight [2015]
• Batman: Arkham VR [2016]
• Suicide Squad: Kill the Justice League [2024?]

Replay Review - Max Payne [2001]

One of the greatest video games and protagonists came to life with Remedy Entertainment's smash hit Max Payne in the summer of 2001. It took the bullet time from The Matrix, fused it with John Woo's action styling and wrapped it in a Micky Spillane inspired noirish graphic novel with an investigation and conspiracy story that even delved into Norse mythology. It may sound like a bizarre mash-up of ideas but it walked away with the BAFTA for best PC game that year. As Remedy announced a remake of Max Payne 1 & 2 last year, I said I'd go back to the original and see if it still held up.

I've gone back to Max Payne several times over a little more than 20 years. The cinematic experience of seeing your own character on screen for the whole game was a pretty new concept to me in 2001. Jedi Knight and Rainbow Six had situational 3rd person views but Max Payne was my first real 3rd person shooter and I played the hell out of it. The last time was before 2015 however when I pretty much ceased the use of my optical drive.

Max Payne had two major gimmicks. It's story was told through an extremely well done graphic novel style pages with panels appearing from the darkness as various characters voiced their speech bubbles with the subtlety of a grenade. The sheer style of this was extraordinarily unique for the time and I don't think any game I played has presented its plot so well, no matter what the quality of full motion cutscene it had.

The second gimmick was of course bullet-time. With a snap of the right click button (and a combined direction), Max would enter a slow motion bullet time as he dived and you could effortlessly target and shoot enemies with a perfection and clarity not afforded to you by real-time action. While stylistically it was The Matrix, the action was it represented was as much John Woo than anything. Only the doves were missing as Max perforated enemies with dual Uzi sub-machine pistols.

Like many other 20+ year old games, Max Payne has certainly aged - but absolutely not as much as most others of the era and certainly not once the one of the games dedicated fanbase patches with A.I. upscaled textures has been applied (in fact the 'vanilla' Max Payne game is unlikely to run natively on Win11) . The Max Payne 1, Complete FixPack - 2023 Edition is a one-stop shop fix for the Steam version, fixing the expected incompatibility issues six or seven versions of Windows later.

Final Verdict: I'm delighted that Max Payne can still be enjoyed today. Sure there's a lot of nostalgia at work but the core gameplay added with some refreshed graphics from dedicated fans make this classic well worth a revisit.

Technicals: 8.5 hours through Steam with an Nvidia 4070Ti @ 3440x1440 (Capped FPS to 60). UW support via fix pack. Win 11 HDR provided minimal enhancement.

Bugs: Vanilla Max Payne didn't run on Win 11. It ran flawlessly once the 'Complete Fix' pack had been applied

Availability: Max Payne is available from Steam for €9.99. Review copy purchased from Steam for €2.25 in Sep 2016.

Max Payne series:

• Max Payne [2001]
• Max Payne 2: The Fall of Max Payne [2003]
• Max Payne 3 [2012]
• Max Payne 1 & 2 Remake [TBA]