Although engaged in classified command and control operations in Afghanistan, I've always found time for Christmas cheer.Have a good one,
Colonel "Whopper" Creedon
Although engaged in classified command and control operations in Afghanistan, I've always found time for Christmas cheer.
As I mentioned a few times on 2IGTV, Monolith’s original F.E.A.R. [First Encounter Assault Recon] was a triumph. An injection of freshness into an otherwise tired and overpopulated genre of First Person Shooters. Not only was it heralded as a remarkable achievement in graphics, but it’s gameplay too, was astounding. F.E.A.R.'s themes drew from popular horror and martial artistry, two elements that had not been given their deserved treatment in the FPS before.
While the idea of Bullet Time was not new to the PC gaming world after the excellence that was Max Payne; F.E.A.R. used it to a wonderful extent as your impressive range of weaponry had a disastrous yet artistic effect on the enemies you encountered. In an unusual move for an FPS, you could actually see your own feet – remarkable - and they became lethal weapons during bullet-time as you could kick the crap out of your enemies better than any Norris or Segal.
While there are at times some genuinely scary moments as a result of the excellent atmosphere through amazing sound an visuals; it doesn't hold a candle to - well every single time little girl Alma appears out of nowhere and makes you shit yourself. It's like someone said "well that was just too scary in the original, lets tone it down a notch". Why?
An impressively polished, graphically beautiful game with most enjoyable gameplay and atmosphere despite woeful lacklustre level design, no cohesive plot, flat ending and devoid of the genuine creativity that we know these people are capable of.
The Mayans apparently predicted this apocalyptical world-ending event thousands of years ago and naturally no one listened to them so we must pay the ultimate price – with our very existence.
What works in this movie is a genuine sense of desperation delivered through the always wonderful John Cusack who somehow has never regained the “career high” he had with Con Air which is disappointing considering his wealth of talent in movies like Grosse Point Blank. Cusack’s character is an extraordinary departure for Emmerich in so far as he’s just an ordinary Joe with no scientific or military background to aid the plot, who will do anything to save his family when disaster does strike in the year 2012. Cusack plays Jackson Curtis a down-on-his-luck writer of - coincidentally - a science fiction novel which explores the psychological impact the end of the world has on a group of astronauts now stranded in orbit after witnessing a similar disaster. Sadly his perspective on this as an analogy to what is happening during the movie isn’t explored whatsoever, save a chance encounter with Adrian who mentions he actually read the book – but other than that, Jackson may have just as well written a cookery book. As the novel sold only 500 copies Jackson is now a divorced limo driver who takes his kids to Yosemite National Park, site of a long dormant volcano – that is until today!
On his travels, Jackson encounters one of the more endearing characters Charlie Frost. Woody Harrelson expertly plays Charlie, a seemingly insane recluse who broadcasts “the end is nigh” and “government conspiracy” ramblings over makeshift pirate radio equipment. Despite being an obvious throwback to Randy Quaid's ID4 character Russell Casse, Harellson works here providing considerable comic relief in to what is certainly a most depressing movie at the end of the day.
It's painfully obvious the level of input that Emmerichs' former producer Dean Devlin had in their collaborative movies, StarGate, Independence Day, The Patriot even Godzilla! But since Devlin and he parted ways professionally, the quality of Emmerich's movies have been halved. This is evident from 10,000 B.C. and The Day After Tomorrow. Sadly 2012 is no different and fails to make any semblance of impact considering it’s potential as a new take on the end of the world scenario. While the special effects are top notch [CGI a bit hokey in places though] generally it’s let down by a convoluted implausible scenario, insulting characterisation and an exploration of Emmerich’s spiteful personal vendettas, such as those he has against the Queen Of England [by portraying her as a coward] and The Catholic Church [by showing us what happened The Pope]. I can't really say all the ridiculous plot points that made me laugh in places where it wasn't intentional or just plain annoyed me - but if you thought Dennis Quaid's little trek from Washington D.C. to NYC in the middle of the new ice age in The Day After Tomorrow was nonsense - then you'll bust a gut witching what happens during this!
Pope Benedict XVI, listens intently at Colonel Creedon's plan for subduing Extra Terrestrial life. "You remind me of a man I once knew in my youth" remarked the Pontiff.
Read Job reference: 316199 for yourself.
Apparently a man in Tokyo who calls himself SAL9000 [I have no explanation for that, so don't ask, it may be an in-game handle] has married his virtual girlfriend from the game Love Plus. The man is reported to have fallen in love with one Nene Anegasaki [if that's not her on the left, then it's one of the other two girls in the game, but you get the idea] one of the games characters whom he then took to Guam for a legal ceremony and honeymoon - or rather he took his Nintendo DS with him as it's on that device on which his "bride" exists.
Flooding in Cork City.
...did hand the ball to his Froggie teammate who scored the winning goal - automatically eliminating Ireland from qualifying for the World Cup tournament.
The outpouring of anger towards the man today was staggering. The entire country was in a frenzied grip of National hatred directed at france and Henry [pronounced Hon-REE - you know in that stupid french way?] in particular. National broadcasters gave their opinion on the travesty. There were dozens of hilariously photoshopped E-Mail images created and sent to and fro from every corner of the country; one of our prominent comedians Dara O'Briain said he will no longer accept french Fries in McDonalds - now demanding "Saoirse Fries" [a nod to the yanks attempt to rename "Freedom Fries" etc.]; there was a cover of A-Ha's "Take On Me" song played on our airwaves which substituted the lyrics "We Hate Henry." It was such a wonderful day and it filled my heart with pure joy. I'll admit, I was almost moved to tears.
The reason for this was that on August 22nd of that year, the closest Mars opposition since 1804 [a mere 55.7 million km], and as such provided desirable conditions in which to receive radio signals from the Red Planet.
The passing of the great actor Edward Woodward [79] from pneumonia today has not gone unnoticed. Woodward played many notable characters on the silver screen, he was Sgt. Howie in The Wicker Man [1973], Commander Powell in Who Dares Wins [1982] and more recently had supporting role as Tom Weaver in the Whopper Award-Winning Hot Fuzz [2007].
According to Fox News; Armies of robotic drones just like Skynet's may be just around the corner. The U.S. Navy is developing unmanned fighting vehicles that network together and operate in "swarms." These drones have proven one of the most effective — and yet most controversial — weapons in the arsenal. Officials credit the use of Predator drones with guided missiles, with eliminating a senior terrorist leaders beyond the reach of ground forces in Afghanistan and Pakistan.
Today is either Veteran's Day, Remembrance Day or Armistice Day depending on your part of the world. I request only that, if you see a veteran today that you thank them for their service. It will mean a lot.
V [ABC]
Flashforward [ABC]
NCIS: Los Angeles [CBS]
SGU: Stargate Universe [Syfy]
Let me get the premise of this movie out there first: Bruce Willis plays Agent Tom Greer and Radha Pitch Black Mitchell [Agent Peters] investigate the mysterious murder of a college student linked to Canter [James Cromwell] the man who helped create a high-tech surrogate phenomenon that allows people to purchase unflawed robotic versions of themselves – fit, good looking remotely controlled machines that ultimately assume their life roles – enabling people to experience life to the full from the comfort and safety of their own homes. The investigation leads to a conspiracy and the rediscovery of humanity, that is, if you can trust anyone who is not whom they appear to be...
I wished that this Philip K. Dick-style parable, a social commentary on civil liberty and free will was actually originally written by Dick as no matter how badly it was adapted, it would still couldn't be filled with as many plot holes and leave you asking so many questions afterwards as were presented here. You see the set-up was sheer madness, I've been able to sit back relax and accept a "future history" from a sci-fi movie like Judge Dredd, Terminator, Minority Report or practically anything, possible or impossible provided it's logically explained. But all you get from Surrogates is that by in 2017 we have humanity, 96% of whom are all so depressed with the way look that they'd rather become hermits and control robotic versions of themselves via a virtual reality chair to live their lives for them. This is probably understandable if you're a quadriplegic, weigh 700lbs or someone who otherwise could not have a semblance of a normal life but it doesn't explain everyone else.
Final Verdict: The movie as a thriller was at best OK, it was sufficiently paced as an action-movie and adequately directed by Jonathan [U-571, T3] Mostow considering it's basically a meld of several highbrow sci-fi concepts melded with "we've seen it all before" action. There was sadly nothing revolutionary, it's not good enough to stand on it's own on your DVD shelf and it can't possibly get a sequel so it's really one to ultimately forget about, maybe after you've seen it once - but stop there.