
I can only assume that that is also done, on a much bigger scale obviously, in Hollywood. For the movie I've just seen, I imagine that directors The Brothers Strause [AvP: Requiem] brought in an impressive special effects reel to the executive in Relativity Media who gave the green light to Skyline. The problem is that there is a moment after receiving a perfectly administered blowjob that a man will agree to anything... literally ANYTHING! It was at this moment, [probably because his secretary was still under his desk] that the executive gave the nod to The Brothers Strauss to make their alien invasion movie because no matter how good the effects are, if NOTHING else about this film has been thought of, then you have a lemon, and there has to be an excuse why the executive didn't read the script.
The special effects in this movie are some of the finest I've seen in cinema. No one can say that The Brothers Strause can't do effects work because the stuff on screen here was flawlessly executed and if they hadn't blatantly ripped off every other alien invader design from far better alien invader movies, they might have had something. Speilberg's War of the Worlds, The Matrix Reloaded, Independence Day, District 9 and even the video game Crysis had their designs plundered by the brothers which is very sad considering their talent for CGI. They seem to be excellent at realising the ideas of others, but lack any imagination whatsoever to create something themselves and sadly this exceptional character flaw infected their movie like Ebola.

Balfour and Thompson play a New York couple who visit their extraordinarily shallow friends in a Los Angeles apartment block. After a night of partying and boozing aliens attack and begin sucking up the citizens of L.A. into their ships. Our thoroughly loathsome protagonists are thrust into a situation with which the audience can only meet with apathy because we just don't give a fuck about these unlikable self-centered wankers. They do a lot of talk about an escape on a yacht [naturally they have a yacht] and when they finally do get mobile they're stopped before leaving the car park because The Bothers Strauss want to keep their costs down by only shooting in their own apartment [I'm not joking, the entire movie is set in one of the director's apartments and on his roof]. So then they retreat back inside and barricade themselves in waiting for a rescue because after all, they're not really the kind of people who would go and fight for their lives if they can help it.

Final Verdict: Magnificent, flawless and sublime visual effects. But a boring, derivative, stupid and generally unentertaining piece of shit otherwise.
Colonel Creedon Rating: *
1 comment:
Colonel, I'd like to buy a double tap cocktail for Mr. Lonely to take him out of his misery, make it good and strong enough to go straight to the back of his head, do you think that you can supply my friend with this item?.
AOB
I concur, this movie was shockingly bad, in fact give the cast & crew the same order as Mr. Lonely.
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