In memoriam, 2018

Let us remember those we lost in 2018:

Paul Allen, 65, American businessman and co-founder of Microsoft.

Stanley Anderson, 78, American actor who played the President in both "The Rock" and "Armageddon".

Kofi Annan, 80, Ghanaian diplomat, Secretary-General of the United Nations (1997–2006), Nobel Prize laureate (2001).

Captain Alan LaVern Bean, USN Ret., 86, American naval officer, naval aviator, aeronautical engineer, test pilot, and NASA astronaut. The the fourth person to walk on the Moon.

Ken Berry, 85, American actor, "F Troop".

David Bischoff, 66, American novelist and television writer "Star Trek: The Next Generation" episodes "Tin Man" and "First Contact".

Steven Bochco, 74, 10-time Emmy winning American television producer and writer "Hill Street Blues", "L.A. Law", "NYPD Blue".

Anthony Bourdain, 61, Four time Emmy winning American chef, author and television host

Jim Bowen, 80, English television presenter and comedian, "Bullseye".

Peter Brace, 94, British actor and stuntman, "Raiders of the Lost Ark", "Batman", "Highlander" and Peter Mayhew's stunt double in "Star Wars".

Staff Sgt. Russell Brown, USA Ret., 96, 82nd Airborne Division. Made every combat jump during World War II.

Barbara Bush, 92, American political matriarch, First Lady (1989–1993) and Second Lady (1981–1989).

President George H. W. Bush, 94, American politician, President (1989–1993), Vice President (1981–1989), Director of Central Intelligence (1976–1977).

Montserrat Caballé, 85, Spanish opera singer, "Barcelona" w. Freddie Mercury.

Joseph Campanella, 93, American actor "Mannix", "Silent Running", "Meteor".

Frank Carlucci, 87, American politician, Secretary of Defense (1987–1989), National Security Advisor (1986–1987).

Bunny Carr, 91, Irish television presenter (Quicksilver).

Debbie Lee Carrington, 58, American actress and stunt woman "Return of the Jedi", "Total Recall".

Reg E. Cathey, 59, Emmy winning American actor "House of Cards", "Luke Cage".

Colonel Joseph Gordon Clemons, Jr. USA Ret., 90, American soldier, subject of "Pork Chop Hill".

A1C Adrian Cronauer, USAF Ret., 79, American disc jockey, subject of "Good Morning, Vietnam".

L-R: Professor Stephen Hawking, Margot Kidder, John Mahoney

Steve Ditko, 90, American comic book writer and artist "Spider-Man", "Doctor Strange"
Sir Ken Dodd, 90, English comedian.
Rear Admiral Alene Duerk, USN Ret., 98, American Navy admiral, first female admiral in U.S.Navy.
John M. Dwyer, 83, Oscar/Emmy nominated American set decorator, "Star Trek", "Star Trek: The Next Generation" movies "Star Trek IV, V, Generations, First Contact, Insurrection" and "Nemesis".
Ssgt. (Hon GnySgt.) R. Lee Ermey, USMC Ret., 74, American drill  instructor and actor "Full Metal Jacket", "Toy Story"
Carlos Ezquerra, 70, Spanish comics artist,"Judge Dredd", "Strontium Dog"
Michael D. Ford, 90, Oscar winning English art director and set decorator "Raiders of the Lost Ark", "The Empire Strikes Back".
Miloš Forman, 86, Oscar winning Czech-American film director, "Amadeus".
Gary Friedrich, 75, American comic book writer, "Captain Marvel", "Iron Man" #45–46, co-creator of "Ghost Rider".
Aretha Franklin, 76, 18 time Grammy winning American Hall of Fame singer, "Respect"
William Goldman, 87, Oscar winning American author "The Princess Bride" and screenwriter "Butch Cassidy and the Sundance Kid".
Leslie "Dirty Den" Grantham, 71, English actor "EastEnders" and convicted murderer.
Korvettenkapitän Reinhard Hardegen, 105, German U-boat commander (Battle of the Atlantic).
Stephen Hawking, 76, English theoretical physicist, professor (University of Cambridge) and writer "A Brief History of Time".
Brig. Gen. Anna Mae Hays, USA Ret., 97, American military officer and nurse, first female U.S. General.

L-R: Derrick O'Connor, Tim O'Connor, David Ogden Stiers

Tom Jago, 93, British liquor executive and distiller, creator of Baileys Irish Cream.

Jóhann Jóhannsson, 48, Icelandic film composer, "Arrival".

Mickey Jones, 76, American drummer and actor.

Ingvar Kamprad, 91, Swedish retail furniture-home design executive and philanthropist, founder of IKEA.

Gloria Katz, 76, American screenwriter and film producer, "American Graffiti", "Indiana Jones and the Temple of Doom", "Best Defense".

Margot Kidder, 69, Canadian-American actress, "Superman"

Richard H. Kline, 91, American cinematographer, "Star Trek: The Motion Picture".

Sonny Knowles, 86, Irish singer.

Charles Krauthammer, 68, Pulitzer Prize winning American political commentator (Fox News) and writer (The Washington Post).

Gary Kurtz, 78, American film producer, "American Graffiti", "Star Wars".

Stan Lee, 95, American comic book writer and publisher (Marvel Comics).

Sondra Locke, 74, American actress, "The Outlaw Josey Wales", "Sudden Impact".

John Mahoney, 77, English-American actor, "Frasier".

Winnie Madikizela-Mandela, 81, South African anti-apartheid activist and politician, MP.

Al Matthews, 75, American actor, "Sgt. Apone" in "Aliens".

Bill Maynard, 89, English actor

Sen. John McCain, 81, American politician and Navy officer, member of the U.S. Senate and House of Representatives.

Chuck McCann, 83, American voice actor, "G.I. Joe: A Real American Hero", "Iron Man".

Capt. Ernest Medina, USA Ret., 81, American army officer, commander of unit responsible for the My Lai Massacre.

Donald Moffat, 87, British-born American actor, "The Thing", "Clear and Present Danger", "License to Kill".

Derrick O'Connor, 77, Irish actor, "Lethal Weapon 2", "Daredevil".

Tim O'Connor, 90, American actor, "Buck Rogers in the 25th Century"

William O'Connor, 47, American artist, "Dungeons & Dragons", "Magic: The Gathering".

David Ogden Stiers, 75, American actor "M*A*S*H".

L-R: Soon-Tek Oh, Donnelly Rhodes, John Young

Soon-Tek Oh, 85, South Korean-American actor, "The Man with the Golden Gun", "Missing in Action 2", "Death Wish 4", "The Muta-Do" in "Babylon 5".

Dolores O'Riordan, 46, Irish singer and guitarist, "The Cranberries".

Richard Arvin Overton, 112, American super-centenarian, oldest living World War II veteran in U.S.

Roger Perry, 85, American actor "Star Trek" episode "Tomorrow Is Yesterday" as "Captain John Christopher".

Burt Reynolds, 82, Emmy winning American actor, "Smokey and the Bandit", "Boogie Nights".

Donnelly Rhodes, 80, Canadian actor, ""Doc" Cottle" in "Battlestar Galactica (2004)".

Robert Scheerer, 89, Emmy nominated American director, "Star Trek: The Next Generation", "Star Trek: Deep Space Nine" and "Star Trek: Voyager".

Frank Serafine, 65, American sound designer and editor, "Star Trek: The Motion Picture", "Tron", "The Hunt for Red October".

Marie Severin, 89, American Hall of Fame comic book artist, "Iron Man"#82–83, 85 (inker), #108 (colorist), G.I. Joe: A Real American Hero" #28 (penciller), co-creator of Spider-Woman.

Jon Paul Steuer, 33, American actor "Alexander" in "Star Trek: The Next Generation" episode "Reunion".

Dudley Sutton, 85, British actor, "Lovejoy".

Verne Troyer, 49, American actor, "Austin Powers".

Dame June Whitfield, 93, English actress, "Terry and June".

Scott Wilson, 76, American actor, "The Walking Dead".

Celeste Yarnall, 74, American actress, "Yeoman Martha Landon" in the "Star Trek" episode "The Apple".

Capt John Young, USN Ret. 87, American astronaut (Apollo 16, STS-1).

May they rest in peace.

Discovery continues, better but still not Trek

Star Trek: Discovery is now four episodes in and while I will say that it has immensely improved since the woefully mediocre pilot, it's still missing the Star Trek mark by a long-shot. Nevertheless it's worthy to watch and allow you to make up your own mind. I was somewhat critical of the pilot, yes but my issues were entirely justified. I won't retread old ground with regards to the ridiculously reimagined Klingons or the confusingly anachronistic technology as these elements are here to stay, they distract from the story and remove it from true acceptance as canonical Star Trek and I'll leave it at that.

Episode 3 "Context Is for Kings" was two things: 1. A far better episode of TV than either/both the pilot episodes and 2. It should have been the actual pilot with the previous episodes told in flashback. How cool would it have been instead to reveal Burnham's past than by her invoking Amanda as the person who read her bedtime stories rather than the nonsensical "Hologram Sarek"? Fuller obviously trusted fans to accept the dual mystery of  Burnham AND the Discovery but clearly nervous CBS executives disagreed and wanted something that they could offer half for fee and make people pay for the other half (as is the reprehensible money grabbing all-access situation in the U.S.). It seems that or assumed we would be too dumb to understand and spent several million explaining Burnham's transgressions to us instead.

It's not until this episode that we're actually introduced (quite spectacularly goosebump-worthy I might add) to the titular Discovery, her captain Gabriel Lorca (a possibly insane "warmonger" with one foot in the door of an admiral's office) and a whole plethora of Bryan Fuller mysteries (who are the black badges??) that now sadly, lesser writers have to solve. The episode itself was great, it had technobabble and even some welcome Star Trek staples that harked back all the way to the original series; a redshirt (not that you can tell because all the frikking uniforms are blue), a monster of the week and a terrible disaster that wiped out the crew on another ship that despite there being dozens of different starship designs they used the Discovery's design again as a "sister ship" the USS Glenn.

Episode 4 "The Butcher's Knife Cares Not for the Lamb's Cry" was again better than the pilot(s) but neither better nor worse than last week's episode. This week, we have Burnham studying last week's "monster" and the outcome is certainly in keeping with the principles of Star Trek, albeit not entirely resolved - which is OK as this series is not as self contained as previous shows. The fact that we have the need to check in with the current goings-on in Klingontown every act is a bit too disjointed, especially as they are still following the trope of not speaking English, forcing viewers to read dozens of lines of subtitles. Normally this would be OK as Klingons are more action than talk - except THESE ARE NOT REAL KLINGONS and do far too much faffing about, talking and pledging allegiance to to the memory of their messiah etc. Just shut up and get on with it for fuck sake!!

Another major issue is the characterisations of the personnel on board are not in keeping with humanity as a whole. Roddenberry created a positive vision of the future where human conflict and personal gain were now passe. It was referenced in the original series, fleshed out during The Next Generation and by the time Enterprise was shown, this mentality had been established. However, for some reason here we have Lt. Stamets who is sarcastic to the point of being borderline insubordinate and we have Cmdr. Landry who would seem more at home as the militaristic, trigger-happy henchman of a villain in a Disney movie. These archetypes of characters are great for "The Expanse" or "Battlestar Galactica" but the un-Star Trek-ness of them is distracting and damages both story and the brand.

Despite the myriad of new and old issues, these episodes are a marked improvement over the pilot but still far less Star Trek than is projected by the superior "The Orville" and it would seem most fans agree with me... for now.

Discovery is not Star Trek

First, if this was a new science fiction property I'd say that it was fantastic, and worth watching but I would have said that it "reminded me" of Star Trek yet I'd probably chastise the creators for making the good-guy ships and ray-guns look like Starfleet ships and phasers, (oh and and ripping off the idea of the Vulcan mind-meld) - yet overlook them as being minor rip-offs in contrast to the full-blown Star Trek homage that is Seth McFarlane's "The Orville". If this was the case I'd watch every episode with no apprehension or concern whatsoever.

But no, because this is actually Star Trek and Discovery is carrying the IP name with millions of devotees and a 50+ year legacy that both need and deserve to be respected, especially if intending to frame it within the prime universe (as opposed to the Kelvin timeline of J.J. Abrams creation) and if the first two episodes are anything to go by - that hasn't happened.

The plot here seems to centre on a single character, Commander Micheal Burnham who I'm branding the worst Starfleet Officer, second only to Lon Suder and even gives pre-redemption Tom Paris a run for his money. The idea of giving the spotlight to only a single character, especially one whom is not the captain is a fresh one but fails due to the characterisation, not due to Sonequa Martin-Green's splendid performance.

There was another two characters who appeared that had equally dubious motivations, Doug Jones' Science Officer Saru is a Kelpien, apparently a race with a reputation for cowardice in the Federation. While this justifies why we don't see them in later set series, it doesn't address what the fuck such an obvious coward is doing on the bridge of a Federation starship where he's third in command! It would be akin to making Reg Barclay the chief of security! There was another character, Ensign Nobody who gave a war lament in the middle of a battle "Why are we fighting? We're explorers not soldiers" demonstrating that the criteria for the Starfleet psychological tests slipped somewhat between Archer and Kirk's time.

I did make only one verbal reaction to what was on screen. Remember in one episode of Star Trek Deep Space Nine when they install a holographic communicator allowing Captain Sisko speak with Captain Sanders and Michael Eddington on the bridge of the Defiant? Remember how distractingly shit it was and they used it once more before never mentioning it again? Well remember how it was considered "new technology" then, so it couldn't exist 120 years earlier, especially without the huge holographic ring to power the image and it would be ridiculous to have it as an apparently "normal" feature in standard crew quarters? Well now you can guess why I verbally reacted to the screen. My other non-verbal, but face scrunching reaction was to the obtuse opening titles with a complete failure on Jeff Russo's part to deliver a coherent theme with a line drawing "artistic" montage, something that would be far more appropriate to a documentary on the making of Discovery as opposed to the series itself.

Two elements I was counting on for this Star Trek incarnation to work was (1) a plausible or implausible social, Geo-political or even quasi-biological explanation for the Klingons, why they and their technology look like that and not in keeping with the established canon, and (2) a scientific (in Star Trek terms of the word) explanation for why Starfleet tech and designs on display here in some cases make the Enterprise E seem as advanced as the Searcher from Buck Rogers. But no. There isn't any, no mirror/alternate universes, chronometric distortion, godlike being influencing the natural order - feck it, I'd even settle it for being all someone's "dream" - I'm fine with all changes to canon so long as there's an in-universe reason! But nothing, nada, zilch and the series will suffer because of it because it's just too distracting the way it is. It is possible we'll get some explanation for either before the end but I won't hold out hope.

I believe any other problems delve into spoiler territory so enough now. Overall I think it's pretty solid and works as a show where things explode in space; something that's always welcome on TV. But this is not really Star Trek, it doesn't even feel like Star Trek let alone look like Star Trek. I reckon now they'll only be one season here and that's it. It won't save the franchise. It's too difficult not to draw comparisons to The Orville, which has aired three episodes already, better characterisation, better music (veteran composers) and opening titles (homage to ST: Voyager), better commentary on the human condition and the infusion of optimism at a time when we need it more than ever in our lifetimes - just with the occasional fart jokes! It looks and feels more Star Trek than Star Trek Discovery does and you can quote me on that.

In memory of Martin Landau

New York born actor Martin Landau dated Marilyn Monroe, was friends with James Dean, turned down the role of Mr. Spock and worked with Hitchcock. He was just as at home on the small screen in Space: 1999 and Without a Trace as on the big in Cleopatra and The Greatest Story Ever Told. Despite being awarded an Oscar for Ed Wood and a Golden Globe for Mission: Impossible among many other awards and nominations, Landau was not above lending his voice to the Spider-Man animated series and The Simpsons.

My favourite Martin Landau performance however is in the 1979 disaster movie "Meteor" in which he plays Major General Adlon, the U.S. Air Force commander of an underground control centre for Hercules, an orbital nuclear missile launcher. The movie itself is awful; it is rated only 5% on Rotten Tomatoes and has been selected by John Vaughan for inclusion in his world famous Video Vault of Horror presentation. It is however an important precursor for ideas brought to the screen decades later with more technical superiority (and more money) in Armageddon and Deep Impact. 

 

In Meteor, Landau despite obvious hamming, easily delivers the best performance over Sean Connery, Karl Malden, Peter Fonda, Natalie Wood and Brian Keith, and convincingly expresses the frustration of a dedicated and decorated military commander sidelined to pander to scientists - alas a feeling I have known all too well.

Landau died Saturday, at the age of 89 at the Ronald Reagan UCLA Medical Center in Westwood, Los Angeles, California; he had been briefly hospitalized and, according to his representative, died of "unexpected complications." May he rest in peace.

Remembering the late Adam West

Long after the much too dated Batman serials of the 1940's were forgotten, Lorenzo Semple, Jr., William Dozier and Howie Horwitz developed an action-comedy version of the caped crusader to Television screens and cast the great Adam West as Batman/Bruce Wayne. 

West's Batman was a camp, dancing and delivered cornier one-liners than Schwarzenegger or Caruso ever would, but there ware many things that remained true to the Bat-mythos such as his defining detective skills sadly neglected by later incarnations by comparison. The show was a product of its time and while it can't hold up for viewing today, our memories of it while younger are fond and that's a legacy that Adam West, who passed way on Friday should be very proud of.

West had many small roles outside of Batman, but he accepted that the character had typecast him, however he embraced it rather than being embittered and accepted his status as a pop-culture icon in the 1990's and beyond. West understood and embraced how camp and dated this take on the character looked in later years and seemed to relish in every parody and tongue in cheek reference throughout his career, but never derided it. His list of voice credits as an animated Batman is extensive and he also played The Grey Ghost on Batman: The Animated Series as well as voicing the characters of Thomas Wayne and the mayor of Gotham in other series. He also voiced a parody version of himself as the mayor of Quahog on Family Guy for the past 17 years.

West defined Batman for a generation. While many of those born in the mid-late '80's will only define Micheal Keaton, Kevin Conroy or Christian Bale as the true Batman, for those born slightly earlier it has been and will always be Adam West.

Game Over Man! Game Over! RIP Bill Paxton

Tomorrow we will wake up in a world knowing it's without Bill Paxton, one of the most recognised actors of some of the greatest movies of the 80's and 90's and a more recent star of Television.

You may not remember his appearance in The Terminator in 1984, or in Commando in 1985 but if you don't know his first iconic role of Colonial Marine Private Hudson who famously uttered "Game Over Man! Game Over!" in James Cameron's Aliens which earned him a Saturn Award then you probably shouldn't be even reading this page.

Paxton had many subsequent roles, he was Floyd "God" Dane, the sniper in Navy SEALS in 1990, Detective Jerry Lambert in Predator 2 (earning him a distinction shared with Lance Henrickson of facing a Terminator, Predator and Alien on screen), Morgan Earp in Tombstone, Bill "The Extreme" Harding in Twister and portrayed astronaut Fred Haise in Apollo 13 earning him a SAG award as part of the cast.

He also had roles in True Lies, Titanic, U-571 and Vertical Limit to name but some of many. More recently he appeared in 2 Guns, The Edge of Tomorrow and in 2015 he lent his voice and likeness to the Call of Duty: Advanced Warfare - Exo Zombies video game. Paxton had a long running role in TV with five seasons of HBO's Big Love and was nominated for an Emmy and a SAG award for his role as Randolph McCoy in Hatfields & McCoys. He most recently appeared in Marvel's Agents of S.H.I.E.L.D. and was currently the lead in a TV adaptation of Training Day. 

Paxton died on Saturday from complications after heart surgery. He was just 61, but his body of work immortalises him for eternity. May he rest in peace.

2014 - The Year in Review

We say goodbye to 2014, the 70th Anniversary of D-Day and 75th for Batman, a year of Ebola, ISIS, The Ukraine, Frozen, Ferguson Missouri and where Colbert "won" Television.

Where the Winter Olympics in Sochi, Germany won the World Cup and Luis Suárez was hungry. 

When Boko Harem were prompted to Bring Back Our Girls. Crimea was annexed by Russia. Israel and Palestine fought again and the Syria crisis worsened. 

A year of the Ice-Bucket Challenge, the Pistorious verdict, Irish Water charges, when Scotland is united yet divided, MH370 is lost, MH17 is shot down and QZ8501 crashed.

Kim Kardashian's huge oiled ass didn't break the Internet, but we landed something on a fucking comet [which you can even listen to] - there is hope! 

It is time to remember those we have left behind in 2014...

General Carl E. Mundy Jr, former USMC Commandant, former Taoiseach Albert Reynolds, outspoken Northern Irish Unionist politician Ian Paisley, Shirley Temple the child actress who would grow up to be come a U.S. ambassador, Ralph H. Baer engineer, inventor and pioneer of video gaming, author Maya Angelou, artist H. R. Giger, announcer and movie trailer voiceover artist Hal Douglas, TV producer Glen A. Larson, actors Eli Wallach, Mickey Rooney, Philip Seymour Hoffman, James Garner, Bob Hoskins and Lauren Bacall. Comedians Joan Rivers, Harold Ramis, Rik Mayall and Robin Williams. They changed the world and our lives.

Elaine Stritch and Donald Sinden both starred in the British ITV comedy series Two's Company from 1975-1979, both legends passed away in 2014 only 8 weeks apart

We also lost the following people from the world of entertainment:

Elaine Stritch, 89, American award-winning actress (30 Rock, Two's Company)
Sir Donald Alfred Sinden CBE FRSA, 90, English actor (The Day of the Jackal, Two's Company) Roger Lloyd-Pack, 69, English actor (Trigger in Only Fools and Horses)

Hal Sutherland, 84, American animator (Star Trek: The Animated Series), co-founder of Filmation

Sarah Marshall, 80, British actress (Janet Wallace Star Trek: TOS, "The Deadly Years")

John Cacavas, 83, American television score composer (Kojak, Hawaii 5-O, The Bionic Woman, Buck Rogers in the 25th Century)

Bernard Stanley "Acker" Bilk MBE, 85, English clarinetist ("Stranger on the Shore")

Campbell Lane, 78, Canadian actor (Baron Wolfgang von Strucker in Nick Fury: Agent of S.H.I.E.L.D.)

Richard Bull, 89, American actor (Mr. Oleson in Little House on the Prairie, The Doctor in Voyage to the Bottom of the Sea)

Ralph Waite, 85, American marine and actor (The Waltons, NCIS)

Cliff Bole, 76, American television director (MacGyver, T.J. Hooker, Star Trek: The Next Generation)

Christopher Malcolm, 67, Scottish actor (The Empire Strikes Back, Highlander)

Jimmy Murakami, 80, American animator and film director (The Snowman), co-founder of Murakami-Wolf Films

Malcolm Tierney, 75, British actor (Lieutenant Childsen in Star Wars, Braveheart)

Aaron Allston, 53, American game designer (Dungeons & Dragons) and sci-fi author (X-Wing)

James Rebhorn, 65, American actor (Independence Day, Homeland)

David A. Trampier, 59, American fantasy gaming artist (Dungeons & Dragons)

Arthur Smith, 93, American musician and songwriter ("Duelling Banjos" from Deliverance)

Efrem Zimbalist, Jr., 95, American actor (Alfred in Batman: The Animated Series and related shows/video games)

Terry Richards, 81, British actor and stuntman (Arabian Swordsman in Raiders of the Lost Ark, Star Wars, James Bond movies)

Casey Kasem, 82, American radio jockey (American Top 40) and voice actor (Shaggy in Scooby-Doo)

James Shigeta, 85, American actor (Takagi in Die Hard)

Patsy Byrne, 80, English actress (Nursie in Blackadder II)

Bob Hastings, 89, American actor (Commissioner Gordon in Batman: The Animated Series and related shows/video games)

Joe Viskocil, 61, American visual effects artist (Independence Day, Star Wars) Oscar winner (1997)

Cassandra Lynn Hensley, 34, American model (Playboy Miss February 2006)

Arlene Martel, 78, American actress (T'Pring in Star Trek: TOS "Amok Time")

Stephen Lee, 58, American actor (The Negotiator, Chorgan in Star Trek: The Next Generation "The Vengeance Factor")

Brian G. Hutton, 79, American actor and director (Kelly's Heroes, Where Eagles Dare)

The Rt Hon. The Lord Attenborough [Richard Samuel Attenborough], CBE, 90, English award-winning actor, producer and director (Gandhi, The Great Escape, Jurassic Park)

Buster Jones, 71, American voice actor (Blaster in The Transformers, Winston in The Real Ghostbusters and Lothar in Defenders of the Earth)

Polly Bergen, 84, American singer and actress (Rhoda Henry in The Winds of War and War and Remembrance) Emmy Award winner (1958)

Geoffrey Holder, 84, Trinidadian actor (Baron Samedi in Live and Let Die)

Jan Hooks, 57, American comedienne and actress (Saturday Night Live, Batman Returns, 30 Rock)

Carol Ann Susi, 62, American actress (Mrs. Wolowitz in The Big Bang Theory)

Richard Kiel, 74, American actor (Jaws in the James Bond movies)

Christine Cavanaugh, 51, American voice actress (The Critic)

John Robert "Joe" Cocker, OBE ("With a little help from my Friends", "Up Where We Belong")

Maximilian Schell, 83, Austrian-Swiss Oscar-winning actor (A Bridge Too Far, Cross of Iron)

Elizabeth Peña, 55, American actress (The Incredibles, Modern Family)

Mike Nichols, 83, German-born American director (Catch-22), Oscar winner (1968)

Don Pardo, 96, American radio and television announcer (Saturday Night Live)

Menahem Golan, 85, Israeli director and producer (Operation Thunderbolt, The Delta Force, Masters of the Universe), founder of Golan-Globus and the Cannon Group

Edward Herrmann, 71, American actor (Nixon, The Lost Boys, The Aviator)

The Ultimate Warrior, 54, American Hall of Fame professional wrestler (WWE)

Warren Clarke, 67, British actor (Firefox, Top Secret!)

Dennis Lipscomb, 72, American actor (Under Siege, Wiseguy, In the Heat of the Night)

Jimi Jamison, 63, American musician (Baywatch theme, Survivor "Burning Heart")

Lee Marshall, 64, American radio personality, professional wrestling announcer and voice actor (Tony The Tiger)

we appreciate the legacy of their talents and creativity.

Jackie Healy-Rae, charismatic former Fianna Fáil politician who left the party to become an Independent TD and founded a political dynasty.

We also acknowledge those who died in 2014 who devoted much of their lives to military, scientific, industrial or public service:

Vicente T. Blaz, 85, American USMC general and politician, delegate to the U.S. House of Representatives from Guam (1985–1993)

Captain John J. McGinty III, 73, American Marine Corps officer, recipient of the Medal of Honor

Major-General Patrick Guy Brooking CB CMG MBE DL, 76, former Commandant of the British Sector in Berlin [1985]

John Carty, 63, Irish politician, FF TD for Mayo (2002–2007), Senator (2007–2011)

Captain Dale Gardner, 65, American naval officer and astronaut (STS-8, STS-51-A)

Valeri Kubasov, 79, Russian engineer and cosmonaut (Soyuz 6, Apollo-Soyuz Test Project/Soyuz 19, Soyuz 36)

Lieutenant Walter D. Ehlers, 92, American World War II soldier, recipient of the Medal of Honor

Major Kurt Chew-Een Lee, 88, American military officer, first Asian-American officer in the Marine Corps, recipient of the Navy Cross

Staff Sergeant William Guarnere, 90, American World War II non-commissioned officer and author, key figure in Band of Brothers

Leutnant Hermann Schleinhege, 98, German Luftwaffe ace during World War II [97 aerial victories]

Colonel Ola L. Mize, 82, American army officer, Korean War recipient of the Medal of Honor

James R. Schlesinger, 85, American government official, Director of the CIA (1973), Secretary of Defense (1973–1975), Secretary of Energy (1977–1979)

Rear Admiral Jeremiah Denton, 89, American politician and naval officer, Senator from Alabama (1981–1987), recipient of the Navy Cross

Colonel James H. Kasler, 87, American Air Force officer, three-time recipient of the Air Force Cross

General of the Army Vladimir Popovkin, 56, Russian military officer, General Director of the Russian Federal Space Agency (2011–2013)

Avraham Shalom, 86, Austrian-born Israeli security official, Director of the Shin Bet (1980–1986), commander in the capture of Adolf Eichmann and the Bus 300 affair

PFC Chuck Tatum, 87, American WWII Marine, Iwo Jima combatant, provided source material for The Pacific

Denis Lyons, 78, Irish politician, FF TD for Cork North Central (1981–1992)

Colonel Henry Hartsfield, 80, American air force officer, NASA astronaut and test pilot (Columbia), commander for Discovery and Challenger missions

Major Theodore Van Kirk, 93, American military officer, navigator and last surviving crew member on the Enola Gay

Sergeant Major Jon R. Cavaiani, 70, American NCO and prisoner of war, Army Special Forces, recipient of the Medal of Honor

Yitzhak Hofi, 87, Israeli general, Director of Mossad (1974–1982)

Colonel Anatoly Berezovoy, 72, Soviet cosmonaut (Soyuz T-5)

Lieutenant General Lincoln D. Faurer, 86, American air force officer, Director of the National Security Agency (1981–1985)

Flight Lieutenant Bill Green, 97, English Battle of Britain RAF fighter pilot

General Ramsey Muir Withers, CMM, CD, 84, Canadian army officer, Chief of the Defence Staff (1980–1983)

Jackie Healy-Rae, 83, Irish politician, fmr FF, IND TD for Kerry South (1997–2011)

Ariel Sharon, 85, Israeli politician and general, Minister of Defense (1981–1983), Prime Minister (2001–2006)

Karl Albrecht, 94, German billionaire grocery executive, co-founder of Aldi

Brian Farrell, 85, British-born Irish broadcaster and journalist

we thank them for their service to their respective fields.

I must also mention the passing of Angalifu, a Sudanese-born American rhinoceros, and was one of two remaining male northern white rhinoceros, Julia O’Donnell, “Ireland’s most famous mammy” mother of singer Daniel O’Donnell who died at 94 and O Sang-hon, a 50 year old North Korean deputy security minister in the Ministry of Public Security, who was bizarrely executed by flamethrower in the political purge. May they rest in peace.

And now we look forward to

2015

Happy New Year

81 million views and counting...

Shatner and Nimoy in new Star Trek III?

Zachary Spock Quinto confirmed recently that the third new Star Trek movie will be released in time for the 50th Anniversary of the franchise in 2016 and thusly will go before cameras within six months. That's great!

What I don't think is great however is that Robert Orci who "has the conn" for Star Trek III [2016] is more of a Trekkie than J.J. Abrams and is apparently planning on having both Spock prime [Leonard Nimoy] and Kirk prime [William Shatner] in the new universe! That's right, William Shatner could once appear canonically in Star Trek III [2016].

Now I'm sure that to some people this is great news, but I'm on the other side of that fence entirely. As much as I love the Shat, I think he's done all he can/needs to do with Kirk including a somewhat flat death scene in Star Trek: Generations, that despite not being the "best" way to say goodbye to the character, it has been accepted for 20 years now [Fuck, is it 20 years!!!???] as Kirk's endgame.

I didn't mind Spock prime's appearance in Star Trek '09, it was a successful passing of the baton, but Star Trek Into Darkness' Spock prime cameo served a pointlessness and a cheapening of the contribution of Nimoy's famous character to the franchise. While I adored Into Darkness, many saw it as just a poor rehash of the original Star Trek II and in turn rejected it's majesty without truly opening their minds to it's genius.

The character development we saw in Into Darkness could only have happened if we didn't have Spock prime there once again being all mystical and armed with future knowledge. His cameo threatened that but in the end it wasn't major enough to do character perception damage. I fear if both Shatner and Nimoy's characters are injected into the third new Star Trek movie it will considerably stunt that same character growth which was on schedule to be even more than evidenced between Star Trek ['09] and Into Darkness.

Also I loved the original Kirk and Spock et al when they were in their prime and maybe a little after, but Shatner is much to bloated now and poor Nimoy looks like he's about to drop dead any minute now (and how many fucking times is he going to declare retirement anyway?). We've got new actors now and a new timeline for them to work in. This is Trek for a new generation. Not ours. It's a timeline that doesn't need more goddamn time travel and alternative universes. They'll risk alienating any new fans they've picked up by delving into this misplaced nostalgia.

Having Nimoy and Shatner around will be like having your parents present while you're getting to 3rd base. No, put the new crew into space Robert and let them do what their counterparts originally did a generation ago without interference from future / alternate selves and give us something more original than a rehash of a classic or the Star Trek franchise will be exiled and lie dormant for another few years.

Source: Bruce Russel via Nerdist

RIP Hal Douglas

He was the man who told you Martin Riggs was a "criminal's worst nightmare", he warned you to "Check your weapons, take your seat, and say your prayers" when going to see Con Air and he promised you that "The world will never be the same once you've seen it through the eyes of Forest Gump." Sadly, he lost a 4 year battle with cancer and passed away last Friday. His name was Hal Douglas and you've never heard of him.

Douglas was second only to Don LaFontaine [who passed in 2008] in the world of TV commercials, movie trailer voice overs and documentary narration. While LaFontaine is credited with creating the phrase "In a world...", Douglas perhaps used it just as much often substituting Land/Time/Town etc. for World as needed.

He said once in an interview: ‘I never thought of it as a great voice.... It’s throaty, chesty, a voice in need of clearing.’

He may have had one slight edge in the fame stakes over his peers however; in 2002 he portrayed the character of "Jack", an over-zealous voice-over artist literally lampooning himself and his entire career in a trailer for the Jerry Seinfeld movie Comedian. It is considered by many, including myself to be the funniest movie trailer of all time.

Rest in peace Mr. Douglas.

RIP Michael Ansara 1922-2013

Michael George Ansara, a Syrian-born American stage, screen, and voice actor best known for his portrayal of Commander Kang on three different Star Trek series has passed. He was 91.

Ansara began acting in the 1950's and appeared in westerns - including The Lone Ranger [1956] - on both the big screen and small before starring in his own TV show Law of the Plainsman playing Native American U.S. Marshal Sam Buckhart, a spin off character from The Rifleman.

Ansara appeared in the biblical movies The Ten Commandments and The Greatest Story Ever Told as well as the 1953 adaptation of Shakespeare's Julius Caesar but he had a more distinguished career on TV appearing in many Television series in production throughout his career. These included The Untouchables, The Fugitive, Hawaii Five-0, The Streets of San Fransisco, Shaft, Mission: Impossible, The Rockford Files, Kojak, CHiPs, The Fall Guy, Mike Hammer and Murder, She Wrote.

Despite a career forged in the dust of westerns, it will be through the genre of science fiction that Ansara's name will be remembered. In 1961 he played scientist Miguel Alvarez in Irwin Allen's groundbreaking movie Voyage to the Bottom of the Sea and followed the role by appearing in the later spin-off series. His career in sci-fi continued with an appearances on Lost in Space, The Time Tunnel and as Killer Kane in Buck Rogers in the 25th Century. He also played the title role in the acclaimed The Outer Limits original series episode "Soldier", written by Harlan Ellison and later in his career he portrayed the Technomage Elric in an episode of Babylon 5.

In 1968 Ansara took on the mantle of arguably his most memorable character, the Klingon Commander Kang in the 3rd season Star Trek episode "Day of the Dove". To the delight of fans, Ansara reprised his character some 25 years later in "Blood Oath", an episode of Star Trek: Deep Space Nine and even later in "Flashback" an episode of Star Trek: Voyager making him one of only seven actors to play the same character on three different Star Trek series. Ansara also appeared [sans Klingon makeup] as Jeyal, Lwaxana Troi's husband on the Deep Space Nine episode, "The Muse".

Ansara also lent his voice to various animated productions including Spider-Man and his Amazing Friends and Thundarr The Barbarian. He later portrayed General Warhawk in the Rambo animated series but it was for his work on various incarnations of Batman's animated adventures that his voice work will be most regarded. In 1992 Ansara began voicing Victor Fries/Mr. Freeze on the Batman animated series, later in the 1997 The New Batman Adventures, Batman Beyond in 1999 and the video game Batman: Vengeance. Ansara bestowed a level of humanity to the villain, allowing the audience to empathise with Fries' plight which no other medium even attempted.

Ansara married actress Barbara Eden in 1958 and appeared with her in an episode of I Dream of Jeanie. He died following a long illness at his home in Calabasas, California and is survived by Beverly, his third wife for 36 years.

A prophecy unfulfilled, Williams returns for Star Wars VII, but is this good?

Following the release of the score to Star Wars, Episode II: Attack Of The Clones in 2002 a like-minded score enthusiast friend asked me what would happen if John Williams had to be replaced for Episode III due to his unfortunate death or ill health [after all Williams was 70 at the time] and who could do his job? Despite it being unfathomable to such a die-hard fan like myself who has even made Star Wars the basis for his spiritual beliefs for anyone else to score Star Wars, I always have had my eye on the future and without any hesitation at all I offered a single name in response to his question: Michael Giacchino.

My friend laughed at me. To be fair, his reaction was not unjustified; at the time Giacchino wasn't even a 'name' among the film score community. Much like Jeremy Soule, Inon Zur and Bill Brown he was only known to video-game score enthusiasts as he was responsible for most of the scores for the Medal Of Honor franchise as well as the first scores for Call Of Duty. As great as all that music was for video games, there must have been over 200 top names in a movie-producer's Rolodex between David Arnold and Hans Zimmer all of whom would be far more experienced to score a motion picture than any video-game music composer, therefore my choice was branded as "idiotic".

But a lot has happened since then and now in just over 10 years Giacchino was put just a single step away from actually scoring Star Wars VII, turning an formerly idiotic answer into what seems now like a prophecy of biblical proportions.

Micheal Giacchino has now actually become one of the most prolific composers in modern cinema. He used scores for animated comedies like Ratatouille as a stepping stone to score live action pictures like the abysmal Speed Racer. He is praised for his work on The Incredibles and critics agree that his score is the only redeemable element of the otherwise woeful Land of the Lost.

Giacchino won the coveted Academy Award for Best Original Score for Up in 2010 as well as numerous Grammys, Golden Globes and has received additional nominations for Grammy's and Emmy's. As impressive as all these credentials are, they alone are not enough to put him even close to Star Wars VII, for that we must look elsewhere.

First of all Giacchino has a long history with new Star Wars/Lucasfilm overlords Disney. Originally he worked at their publicity department in NYC, and then LA. From there, he went over to Disney Interactive as an assistant producer. Years after later working for Dreamworks he scored Disney's Sky High, The Muppet's Wizard of Oz and more recently the megaflop John Carter as well as several Pixar films. In 2005 Giacchino collaborated with Walt Disney Imagineering in creating two new soundtracks for the updated versions of Space Mountain at Disneyland, Space Mountain: Mission 2 at Disneyland Paris, and Space Mountain at Hong Kong Disneyland. His music can also be heard in Star Tours: The Adventure Continues during the "travel log videos" shown in the cue line for the attraction.

As strong as the bond between Disney and Giacchino is, it alone wasn't enough to warrant them granting him probably one of the most profound projects in cinematic history. Even the fact that Giacchino composted magnificent scores to two LucasArts published video-games, Secret Weapons Over Normandy and Mercenaries wouldn't come into play. The final piece of this puzzle is in fact the visionary director J.J. Abrams!

It's an easily researched fact that some directors and producers favour certain composers. They may be friends with them, or the composers may have a special understanding with the directors that almost breathes musical life into the director's creative vision and create perfection through collaboration. When Dean Devlin and Roland Emmerich were partners, David Arnold always had a job. Since 1999 M. Night Shyamalan uses only James Newton Howard. When Martin Scorcese wants an original score he has turned only to Howard Shore since about 1999. And most remarkably only four out of all the movies ever directed by Steven Spielberg were not scored by John Williams.

In the same vein as this director/composer collaboration, Abrams has used Giacchino in almost everything he's produced on Television since their first collaboration on Alias in 2001. Giacchino's only Television work to date has been for Abrams and includes music and themes for long running series Lost and Fringe. Most notably, Giacchino has scored all of the movies Abrams has ever directed and almost all of what he has produced, providing a brand fresh new soundscape for the rebooted Star Trek franchise as well as redefining Mission: Impossible's score in his own musical idiom.

When Abrams bagged the Star Wars VII gig, it put Giacchino in a position where it became an 'educated presumption' that he would in fact score the new Star Wars trilogy and fulfill perhaps my greatest prophecy. The only fly in this ointment was the fact that Giacchino himself didn't want to do it. In an interview in May he said in response to hypothetically being offered Star Wars:

"I would say, 'I don't want to do it'... From day one, I have said I hope John [Williams] does it. Selfishly, I want to hear more 'Star Wars' music and I want to hear what he would do with it. He's been an incredible teacher over the years to me, he's a friend and he's one of the best composers on Earth. I want him to do it. That's the way it should go."

Giacchino will get his wish. At the weekend, Lucasfilm president Kathleen Kennedy told a Star Wars convention in Germany that John Williams would return to score Star Wars: Episode VII. Williams said in an interview with StarWars.com that he was "happy to be continuing to be part of the whole fun" of the franchise. He hinted he would likely use some of the music from previous films. "I haven't seen the script, so the story is still unknown to me, but I can't image there will not be some references to the existing stories that would make appropriate use of some of the earlier themes," he said.

While I'm certainly not unhappy with the news, I am hoping that there has not been a missed opportunity to do something new. I don't like change but I'm not blind to the passage of time and so I'm somewhat apprehensive. Williams is now 81 years old and has sadly only produced turgid crap in the past decade [outside Revenge of the Sith obviously]. His music has become almost indistinguishable from one project to the next - Lincoln, War Horse, War of the Worlds, Munich are prime examples of a once great old man losing his touch. Even the score to Indiana Jones and the Kingdom of the Crystal Skull seemed jaded in comparison to previous installments.

To be honest, I'd understand and support Williams decision to rest on his impressive unequalled laurels and thank him for the the years of joy he brought us with his wonderful compositions for Star Wars, Indiana Jones, Superman, Jaws and even fucking Harry Pothead! Instead he's probably signed a contract that will have him working for Disney until Star Wars IX in 2019 at which point the man will be... sweet Lucas he'll be 87!!! Perhaps my Giacchino prophecy is just "delayed" as opposed to "unfulfilled".

James Gandolfini 1961-2013

It was as much of a tremendous shock to me as it was to everyone to learn last week week of the untimely death of an extraordinary talent, James Gandolfini at only 51 years of age. The actor who was best known for his portrayal of Mafia boss Tony Soprano on HBO's The Sopranos, was eulogised by showrunner David Chase today during a funeral service in New York.

A native of New Jersey, Gandolfini was born to parents with strong Italian connections and it was through their influence that he developed strong ties to Italy and regularly visited the country. His most recent visit was sadly his last and he died in Rome on Wednesday last during a brief vacation before attending a film festival on Sicily.

Gandolfini may be Tony Soprano to most but he had an impressive movie and TV career outside his multi Emmy awarded role on HBO. In the 20 years that followed his role as the woman-beating henchman Virgil in True Romance [1993], he played a variety of different roles including Eddie, a hit man [The Juror, 1996], Winston Baldry, a gay hit man [The Mexican, 2001], a tired hit man [Killing Then Softly, 2012] - OK so the man was probably a little typecast as a hit man, mobster or someone of nefarious purpose but he was undeniably one of the best at it!

I first noticed him in the late Tony Scott's Crimson Tide as Lt. Bobby Dougherty in a way that made me know that he was a man to watch. I think my favourite role of his will be as Colonel Winter [pictured], warden of a US Military prison in Rod Lurie's thought provoking The Last Castle [2001], a lesson in a leader's capacity to inspire.

In addition to acting, Gandolfini was also an award nominated producer and produced two documentaries concerning war veterans mental health and went to Iraq in 2010 on a USO visit.

In his eulogy, Chase said that Gandolfini was "A sad boy, amazed and confused," he said. "You could see it in your eyes. That's why you were a great actor." A family friend Thomas Richardson requested that the mourners present hug each other just a small bit too tightly, something Gandolfini was known for. He is survived by his wife Deborah and children Michael and Liliana.

During Gandolfini's episode of Inside the Actor's Studio, James Lipton asked: "Finally Jim, if Heaven exists, what would you like to hear God say at the pearly gates?" Gandolfini replied: "Take over for a while, I'll be right back."

The future of Star Wars - Part 1 - Animation

Since Disney's acquisition of the entire Star Wars franchise from George Lucas last year, there has already been and there will will be some interesting developments. The first I want to highlight here is something that was just announced, a new Star Wars animated series to take place between the prequels and the original trilogy.

Entitled Star Wars: Rebels, it will conceivably follow the saga of the genesis of The Rebel Alliance from the end of Star Wars, Episode II: Revenge of the Sith to the beginning of Star Wars, Episode IV: A New Hope "an era spanning almost two decades never-before explored on-screen. Rebels takes place in a time where the Empire is securing its grip on the galaxy and hunting down the last of the Jedi Knights as a fledgling rebellion against the Empire is taking shape."

Screenwriter/producer Simon X-Men: First Class Kinberg will be joined by Greg Young Justice Weisman and Star Wars: Clone Wars supervising director Dave Filoni as Executive Producers on the new series "scheduled to premiere in fall 2014 as a one-hour special telecast on Disney Channel" and then "will be followed by a series on Disney XD channels around the world."

Filoni himself did provide a tidbit of information, it appears that they will be working at least in part from the late Ralph McQuarrie's original concept art possibly for some spacecraft and environmental designs such as the painting he did of the Death Star battle above. It makes sense to use the ideas that evolved into the imagery that is known now the world over.

In March, Lucasfilm announced that Star Wars: The Clone Wars was winding down it's production on the series : "While the studio is no longer producing new episodes for Cartoon Network, we're continuing production on new Clone Wars story arcs that promise to be some of the most thrilling adventures ever seen." It's unclear at this time if these will be shown by Disney, if they will be Web-Exclusives or Direct to DVD/BD content.

Jack will Live Another Day

In 2002, I began watching 24, a new drama series centered around a pretty lethal secret agent-type Jack Bauer played by Keifer Sutherland. I felt it was certainly a bold move for Fox to deal terrorism on U.S. soil so soon after 9/11. The first season was a very interesting concept and paced well but despite enjoying it I wasn't 100% sure about preparing to commit to another 24 episodes of the same thing for another season. 

The first episode of season 2 had Jack ask for a protected witness against a terror suspect brought to the CTU agency. After some exposition which highlighted that the witness was into kiddie-porn, Jack draws a weapon and shoots the witness through the heart in front of his astonished superior George Mason. Jack then demands a hacksaw which he uses to decapitate the dead witness in the hope that the severed head will be used to gain favour with the terror suspect and infiltrate his organisation

Mason, is almost freaking out at this, more than a little skeptical of Jack's unorthodox methods, “That's the problem with people like you, George!" Jack tells him "You want results, but you never want to get your hands dirty. I'd start rolling up your sleeves.” 

From that moment on 24 was on the very top of of my TV watching list above all else until it's finale in May 2010. If nothing else and although being classed as entertainment, I saw it almost as a vindication of some of the reprehensible things I've had to do in the field myself. Jack and I have had at times to set aside morality in order to preserve the way of life you enjoy.

The problem is, in drama it works - but I can tell you it doesn't in reality [and believe me I've tried]. So it was probably a good thing in retrospect that 24 producers toned down the highly illegal torture scenarios after getting a personal visit from Brigadier General Patrick Finnegan who taught the laws of war at West Point. He told them that the popularity of 24 among the troops was breeding unhealthy ideas as well as damaging America's reputation abroad.

The policy shift and the writers strike forced the senior writers [including Star Trek franchise writers Manny Coto and Brannon Braga for season 7 and 8 and Homeland's Alex Gansa for Season 8] to focus more on political espionage and geopolitics and the result was actually much darker without the excessive illegal torture scenes and in my opinion, more enjoyable.

It has just been announced that Jack Bauer will return to TV screens, and not to the silver screen as was once presumed, in 24: Live Another Day, a 12-episode miniseries to air on Fox in the summer of 2014. Colour me thrilled.

"No more Tony Scott movies. Tragic day" - Ron Howard

I awoke Monday morning to find a shocking message on my phone from Mr. V, telling me that one of my top five favourite motion picture directors Tony Scott was dead. I was devastated as this was both awful news and completely unexpected.

Scott was born in England in 1944 the younger of three brothers, Frank Scott died of cancer in 1980 and his surviving sibling is acclaimed director Ridley Scott. Tony followed in Ridley's footsteps with regards to his education and initially wanted to become a painter, but the success of his brother making TV commercials made him change his mind and he joined Ridley's outfit.

Scott made a commercial for Saab in the early 80's which showed one of the high performance cars racing a fighter jet. This caught the eye of famous producing duo Don Simpson and Jerry Bruckheimer who convinced a reluctant Scott to direct their little fighter plane movie. Top Gun went on to gross $176m cementing the producing careers of Simpson and Bruckheimer, making a star of Tom Cruise and catapulting Scott to the A-List of Hollywood action directors.

Scott directed the Beverly Hills Cop sequel for Simpson and Bruckheimer which became one of 1987's highest grossing movies. In 1990 he directed the big-budget successful racing movie Days of Thunder working with Simpson, Bruckheimer and Cruise again and gave the scoring job to German composer Hans Zimmer who had begun to make a name for himself as well. A year later Scott saved the ailing career of Bruce Willis after his Hudson Hawk disaster by directing him in The Last Boyscout, a personal favourite of mine, written by Shane Lethal Weapon Black.

In 1993 Scott directed what many regard as his crowning achievement. It is to say the least one of the most memorable movies of the 90's and furthered the career of it's quirky writer Quentin Tarentino perhaps more than it did Scott's. The $13m True Romance featured a star-studded cast including Christian Slater, Patricia Arquette, Dennis Hopper, James Gandolini, Gary Oldman, Christopher Walken, Tom Sizemore, Brad Pitt and Val Kilmer and another score by Hans Zimmer. While a critical success, the movie was a box office failure at the time.

Before the end of the decade Scott directed both of what I think are is best movies. Again for Bruckheimer and Simpson, Scott directed the supremely talented Denzel Washington and the legendary Gene Hackman at the very top of their game in one of my favourite movies period - Crimson Tide. The submarine thriller was acclaimed as a war-movie with a difference as it excited intellect as well as a lust for action. It was nominated for 3 Academy awards for editing and it's score won a Grammy for Hans Zimmer.

Scott re-teamed with Jerry Bruckheimer [producing solo now following the death of Don Simpson] and working again with Gene Hackman, directed the sublime spy-action-thriller Enemy of The State with Will Smith. Here he began working with Hans Zimmer's protégé Harry Gregson-Williams who continued to score all subsequent movies of the director's career. Despite portraying the efficiency and technology of US government intelligence to science-fiction proportions, nonetheless Enemy of The State was a thrilling and exciting chase movie that was a box-office success.

At the turn of the century Scott's career took a turn that I wasn't overtly happy with. 2001's Spy Game is the last of his movies that I added to my optical disc collection. I would describe it as a little more realistic spy movie than Enemy of the State but despite good performances from Robert Redford and Brad Pitt, it's overall not as exciting as his previous offerings. The decision to not make any effort to either age [or youth] the characters over the course of the 16-year span of the plot is one that vexes me to this day.

2004's Man on Fire was also a well produced revenge thriller with an exceptional performance from Denzel Washington, but I felt that the pacing of the movie overall was more than a little off and not all the bad guys were killed at the end, but Washington's character was. Despite changing Tarantino's bleak ending to a happy one for True Romance, Scott chose not to do that here, using the book's non-Hollywood ending and ultimately failing.

Scott choose to adapt two true stories into movies before the untimely end of his career. The first was the 2005 unconventional biopic on the life of Domino Harvey, the English born daughter of actor Lawrence Harvey who became a bounty hunter in L.A. Starring Kiera Knightly, the movie was both critically and commercially unsuccessful. I would regard it as "unmemorable". The other movie was Unstoppable, loosely based on the CSX 8888 incident in Ohio in 2001. Once again starring Denzel Washington as an almost retired railroad engineer, this time paired with a cocky rookie Chris Pine who have to do their best to stop a runaway train. This movie would be a commercial success in 2010 and the last movie Scott would direct.

Scott's other movies included: The Hunger ['83], the thriller Revenge with Kevin Costner in 1990 and The Fan a sports-themed psychological thriller with Robert DeNiro and Wesley Snipes ['96]. Scott also directed Déjà Vu, a misjudged science-fiction movie again with Denzel and produced by Bruckheimer and the 2009 remake of the 1974 movie The Taking of Pelham One Two Three.

Scott had become a prolific producer and executive producer in his late career mainly for television but for many movies, especially his own and those of his brother. Among such projects were Man on Fire, Domino, The Company, The Taking of Pelham 123, Numb3rs, the 2010 The A-Team movie, The Pillars of the Earth, Unstoppable, The Grey and Prometheus. He had over a dozen projects in different stages of pre/post production including Top Gun 2!

Scott was nominated for 5 Emmys winning one along with the other producers of The Gathering Storm in 2002 and was awarded the Michael Bacon Award at the BAFTAs in 1995.

I must admit to being somewhat angry. I cannot condone suicide as a course of action in this case. At the time I write, it has not yet been established if a rumoured diagnosis of terminal, inoperable brain cancer was the cause of Scott's decision to jump off Vincent Thomas Bridge over Los Angeles Harbor at lunchtime on Sunday. However illness or not, his apparent "decision" shows a clear disregard for those he has left behind especially his 12 year old twin boys who must now grow up with this social stigma.That said, if I can respect the acting talents of such reprehensible individuals as Mel Gibson and Tom Sizemore, I can most certainly respect the work of Tony Scott although I may not be able to respect the man. 

I read in an obituary on Fox News that Ridley Scott later directed "more and bigger hits than his brother and earned a level of critical respect never achieved by Tony Scott. "Gladiator" won the best-picture Academy Award for 2000 and earned Ridley Scott one of his three best-director nominations; Tony Scott never was in the running for an Oscar, and critics often slammed his movies for emphasizing style over substance." - and that's why I liked him. Why is that a bad thing critics?

While those facts can't be disputed I would argue that Tony's quality of work is more consistent than his brother's. Blade Runner, Black Hawk Down and Gladiator [I don't like Alien] may all be superior movies to any of Tony's but that's really about it. Ridley's G.I.Jane and Black Rain are as good as anything his brother has done but when Ridley screws up critically or commercially he does so in earnest and more royally then Tony ever did. Kingdom of Heaven, Matchstick Men, Robin Hood, A Good Year and don't get me started on Prometheus...

I enjoyed Tony Scott's movies for his adhesion to a frenetic but not nauseating camera style which seemed to focus on the depth of action rather than just the surface. His kinetic, choppy editing is very different from Michael Bay's but I like it for similar reasons. I also like the fact that most of my favourite movies of his end in a shootout and that's pretty much how I know my life will end, I only hope it's as dramatic.

Goodbye Tony

Non-Cameron 3-D isn't good enough

DECLARATION OF REJECTION FOR MAINSTREAM THREE-

DIMENSIONAL CINEMATIC PROJECTION AS A VIABLE 

ALTERNATIVE TO TWO-DIMENSIONAL IN ITS CURRENT FORM

In April 2009 I witnessed Monsters vs. Aliens, the first movie to be directly produced in a stereoscopic 3-D format instead of being converted into 3-D after completion. It was quite remarkable. I remember reaching out with my hands attempting to touch several “floating” objects – my senses being completely fooled by the technology.

Just before the dawn of a new decade I witnessed the first mainstream modern 3D blockbuster, Avatar which applied this new stereoscopic tech to live action. With one fell swoop James Cameron redefined 3-D as he pioneered the next evolution of computer generated imagery and melded it with the 3-D technology previously reserved for children's animated movies. The care and attention to each and every detail, creature, character and environment was abundantly clear.  Graphically, Avatar was a masterpiece. A triumph of three dimensional projection technology that pushed the boundaries of cinema as we know it.

In the months, nay - years that have followed, we have seen a multitude of examples of movies that have capitalised on this emerging technology. Among those; Resident Evil: Afterlife, Underworld: Awakening and Prometheus. All of these movies, good or bad have had some extremely impressive set-pieces which took advantage of the extra dimension. However when compared to Avatar, they all sadly lack the same level of three-dimensional detail. The main overriding problem is that that the common 3-D movie throws things out at you, enhances depth and makes obvious vain attempts to surround your perception. It was however only Avatar that truly immersed me in the movie and made me feel like I was practically there inside it.

While I reject the notion of post-processed 3-D movies [with the obvious exception of Star Wars] I felt it was my duty as a progressive patron of both technology and the arts to offer singular unswerving support to true-3-D. After recently evaluating the examples that Hollywood has offered to us since Avatar, culminating with the 'flat' 3-D of The Amazing Spider-Man, I must admit that not a single one has come anywhere near the magic that Cameron wove.

The fact that I would have no issue with sitting down and watching Transformers: Dark of the Moon or Tron: Legacy and the like on my 2-D TV but could never watch Avatar [itself a 5-Star movie] in 2-D speaks not about the quality of Avatar but the lack of necessity to need only to witness the 3-D of the other movies. I feel no great overriding need to see these movies again in 3-D but I could never watch Avatar in 2-D.

I must therefore publicly declare, my withdrawal of total support for three-dimensional cinematic presentations and reduce support to a provisional basis which covers only the following instances:
(A) Movies which must be seen but have no 2-D presentation such as Underworld:Awakening, (B) 3-D conversions of religious imagery [the Star Wars saga], (C) Avatar 2 and all subsequent creations of James Cameron, (D) any presentation for which like-minded individuals explicitly request that it be viewed in 3-D and (E) force mejure.

This declaration will remain in effect from the date below, until such time as Hollywood begins to adopt the standards and practices employed by James Cameron and create visual imagery at least to 75% of the standard that he set in 2009.

Signed: Colonel "Whopper" Creedon, Mahon Point Omniplex, July 7th 2012