Happy 250th Birthday to the United States Marine Corps

 

First Play Review - Soldier of Fortune: Payback (2007)

Soldier of Fortune is one my all time favourite games. The Quake II engine was put to a greater use in 2000 by Raven Software than Id Software ever did. It was absurdly graphically violent but that was it's selling point, it  also had some deeply troubling politics even for the time, let alone in today's society. It was nonetheless some campy fun not unlike a 1980's action movie. The game's success green-lit a technically but not narratively better sequel with Soldier of Fortune II: Double Helix in 2002 and there was talk of a third game later but that didn't happen.

But it did, sorta.

In 2007 Cauldron HQ were working on their own AA FPS title Mercenaries Wanted for PC, Xbox360 and PS3 using similar graphic gore and dismemberment mechanics not really seen since Soldier of Fortune. Publishers Activision saw the potential to elevate the game to AAA status (well AAA pricing) by permitting Cauldron to use the now dormant Soldier of Fortune licence and shoehorn in some cut scenes to tell a story of a betrayed mercenary out for revenge; and so Soldier of Fortune: Payback was born.

Initially when I started the game I couldn't hit anything when shooting. Apparently this is a known issue when playing with hardware that's generations ahead of the tech. I had to artificially cap the frame-rate before bullets would register. Once that bug was worked around things went mainly downhill from there.

While the game did have some graphic dismemberment probably more than most it was nowhere near the visceral orgy of gore Raven's games had. To be fair there were some some quality graphics for the era, it was let down by a totally ridiculous and disjointed plot even for 'dumb' FPS standards, that just finished half way through the plot as if they intended a sequel which is now the most blatant arrogance I've ever witnessed. It was like a fever dream from someone who watched several straight-to-video movies and fell asleep reading the lowest common denominator of Tom Clancy knock-off novels.

There are many tropes one can look past because it moves along the narrative, but when something is so stupid that you snap out of your immersion, you writing or game design have failed. For example, high security key-cards required to advance a level should be (a) on dead guard, that's either killed by you or not or (b) in a crackable safe in the base-commander's office. The place for a high security key-card is not under the bed of a slave being kept in a prison.

The combat itself was passable, if nowhere near any true AAA FPS. For the most part you're shooting humans with no body armour, and even less intelligence that drop after a realistic amount of bullets - except for the half-dozen or so end of level bosses which were still standing after an assault rifle magazine was emptied into their centre mass and they seemed to increase in sponginess with every boss. I rage-quit at the final boss, not because he was a badly voiced Irish terrorist, but because I emptied an entire belt of 400 rounds from my M249 SAW into him and he kept laughing. I watched a YouTube video of a guy use the same ammo but also about 8x30-round clips of 5.56mm from a H&K G36 and about 7 fragmentation grenades before the otherwise "human" Irish terrorist would fall. If this super-soldier was around for the troubles we'd have a 32 county nation and probably would have invaded the UK by now too.

Final Verdict: If Cauldron had been allowed to develop and publish their original game, it probably would have been regarded as an ordinary AA FPS without much fanfare or regard. However with the marketing force of the Soldier of Fortune label brought expectations and shoes that Cauldron could simply not have filled. This was a bad lacklustre AA FPS but it was excrement as a Soldier of Fortune branded game, a blight on the franchise best ignored forever.

Technicals: 4 hrs playtime though GOG Galaxy in 2560x1440 @ 60FPS (artifical cap) on RTX4070Ti in Windows 11. No HDR.

Bugs: Without an artificially capped frame rate, your bullets won't hit enemies.

Availability: Soldier of Fortune: Payback is only available from GOG. Normal Retail price €9.19. Review copy purchased in a bundle of of all three SoF games for €13.49 in June 2019.

Soldier of Fortune franchise:

•     Soldier of Fortune (2000)
•     Soldier of Fortune II: Double Helix (2002)
•     Soldier of Fortune: Payback (2007) 

 

Crysis: Remastered (2020)

Back in 2018 I replayed the original Crysis as it was meant to be played and did a full review here. It had been my intention to play Crysis 2 after I played Crysis: Warhead in 2019. However, in early 2020 Crytek announced remastered versions of the Crysis trilogy were being worked on so I delayed playing though the trilogy until it was time.

Now as the game is practically identical in gameplay to the original, there is no need to add comments to my last review in that regard. This is a remaster from the same company that produced the original but the game is different in some regard.

Some of these differences may stem from the bizarre fact that this remaster uses code from the console version of the original game as it's newer code than the original PC version. However as the console version is technically inferior to the PC version, it did introduce some issues that were previously only native to consoles but never before seen in the PC version.

Crysis Remastered does bring full in-game HDR and Ray-Tracing which provide some of not a massive visual enhancement to the game overall. The jungle island doesn't seem too different other than the enjoyment of sun rays coming through the dense jungle vegetation but the sections of the game I hate - the zero-gravity alien environment were brought to life under the new visuals and made the sequences much more bearable to play.

It would have been nice if the assets themselves had got a makeover considering the price they were charging at launch and stand out as bing very blocky and this is now far more noticeable as a the game uses 2007 assets with a 2020 skin on them, it's a bit jarring. It's less jarring to play the original at full settings.

I noticed also that the A.I., which was great at the time, has been altered for the worse and enemies are now far more aim-bot-ish in comparison to the original. They seemed to have a significant vision and able to see you from a greater distance than should be possible and end you. This was an issue twofold because manual saves were removed to use a checkpoint system, I dislike these, especially as I'm more used to saving when I want to.

I did clock a few minor bugs, and I noticed also that the sound mix of the game was a bit off in places, some music and sound FX being louder than others that shouldn't have been. I wonder if they took sounds from the later games and grafted them to this to make it a more cohesive trilogy in that regard?

The gimmick of the game as I mentioned in the earlier review is your Nanosuit, a high tech armour that allows you to throw further, jump higher, sprint faster, and resist bullets more than a common FPS. It even has a cloaking device! Crytek changed the way the suit operates in the later games and offers that here, but still offers you the original suit control method if you desire. I tried out the later method here because I want to be used to it as I play the sequels. I think it's a little more intuitive to be able to double up on your suit powers so I'll chalk it down as a positive.

Final Verdict: As 2007 Crysis still holds up much more than most games of that era, this was a pointless remaster in light of the mods available for the original now. If this had been just the graphical upgrade without some buggy knock on effects or even the suit upgrade, I'd say fair enough to take advantage of RT and HDR. At least it runs on high settings at a stable frame rate without overheating. I'm not a purist for many games, and I'm not for this but I still think the original is a better experience overall.

Bugs: Some enemies passing through scenery, some floating objects. One game freeze, app reset required.

Technicals: 7.6 hours through Steam on Windows 11 with an RTX4070Ti @  3440x1440 @ 120FPS on Hight settings with in game HDR.

Availability: Crysis: Remastered is available from Steam or GOG for €29.99. Review copy obtained through Humble Bundle in November 2024 for €2.25.

Crysis Series:

• Crysis (2007)
• Crysis: Warhead (2008)
• Crysis 2 (2011)
• Crysis 3 (2013)
• Crysis: Remastered (2020)
• Crysis 2: Remastered (2021)
• Crysis 3: Remastered (2021)
• Crysis 4 (?)

20 Years of Whopper's Bunker

On Friday 9th of September 2005 I wrote a post entitled "This Blog Thingy". Hardly the most auspicious representation of my extraordinary writing talent; but nonetheless it's what began the now 20 year history of this blog.

Originally entitled "The Colonel's Eagle" and changed the following year in 2006 to "Whopper's Bunker", the blog was actually suggested by Mark Twomey after he observed my extensive "show notes" for one of the early episodes of 2IGTV and in its initial years I used it to cover the stuff we didn't get to on the show.

As one would expect, one's interests may change over the course of 20 years. I certainly have no time to observe the day-to-day antics of Paris Hilton or critique the latest movies nor would I care to do either now if I had the time.

Blogging itself isn't as it was 20 or even 10 years ago. People's use of the Internet has evolved. Later users don't read long-form posts now and they don't need to because everyone can just record a video for YouTube or social media will feed it to you in other ways. If you write more than 100 words people will have AI summarise it and read it to them.

To be fair, being a 3-star general and responsible for the global operations of a multi-national security and defence organisation protecting the planet from what no one believes actually exists takes up most of my waking hours but I still enjoy writing about my video game experiences every once in a while.

I'll be here 'til it goes dark.

Review: Warcraft II Remastered (2024)

While Blizzard have made their indelible mark on the game industry with the MMO powerhouse World of Warcraft for over 20 years now, it's always worth remembering that the universe that that game enjoys as a setting was created for a series of real-time strategy (RTS) games between 1994 and 2002. 

 

I only very briefly played the original Warcraft: Orcs & Humans on a friends laptop in early 1995, and it paled in comparison to the significant upgrade of Warcraft II: Tides of Darkness which became the first (of very few) RTS games I played. Blizzard's development style, humour and flair for interesting gameplay carried over into the superior Starcraft and Diablo later but it was Warcraft II which first peaked my interest and I enjoyed crating obedient armies of overwhelming force to crush my enemies after an hour of meticulous planning.

In November 2004 Blizzard shadow-dropped Warcraft Battlechest - remasters of both Warcraft and Warcraft II on Battle.net to both offer an upgrade to fans of the original games for modern PCs and to provide a way for newer fans introduced to Azeroth through World of Warcraft a way to experience the roots of the setting.

My nostalgia wasn't triggered by Warcraft Remastered but it certainly was by Warcraft II Remastered so that soon found its way into my library. I enjoyed the game for it's relative simplicity, shallow learning curve and logicial approach to creating building and combat units as well as their upgrades by funnelling more and more resources into your base.

Warcraft II, much like Starcraft later were games that I could never finish because playing as the enemy never really interested me. While Starcraft's three factions had some unique abilities that kind of prompted you to play them so you could learn to be better at your chosen faction, Warcraft II's two factions were basically identical only with different names, sounds and skins. So sure if you wanted the whole story you'd have to play the game from both sides but for these games the plot was little more than filler every few levels and quite unimportant to the game as a while in my opinion.

I will say for all their recent faults (Overwatch 2, WoW: Shadowlands ahem) Blizzard did a great job of modernising Warcraft II without actually changing it. There are some quality of life features, resolution upgrades and most notably a sweet graphs pass that looks great on a modern monitor now. The gameplay however I from my perspective pretty untouched. And I was left wondering if perhaps they should have? I didn't finish the Alliance campaign but I played it for long enough to notice that the strategies I used to use to win, still worked flawlessly. That's an issue of course for a 3-star general and an actual master of combat strategy as I can't feel challenged if I know I can't lose.

Final Verdict: It was nice nostalgic diversion to replay one of the very first PC games I ever played. The technical and graphical upgrades are worth it it you want to play the game on modern hardware but be warned that it is the same game, nothing of substance was changed which might be a good or a bad thing. You decide. 

Technicals: 12 hours through Battle.net on Windows 11 with an RTX4070Ti. Game limits to 16:9 ratio.

Availability: Warcraft II Remastered is available from Battle.net for €14.99. Review copy obtained through Battle.net in April 2025 for €7.49.

Warcraft series (excluding expansions):

• Warcraft: Orcs & Humans (1994)
• Warcraft II: Tides of Darkness (1995)
• Warcraft III: Reign of Chaos (2002)
• World of Warcraft (2004)
• Hearthstone (2014)
• World of Warcraft Classic (2019)
• Warcraft III: Reforged (2020)
• Warcraft Rumble (2023)
• Warcraft Remastered / Warcraft II Remastered (2024)

First Play Review - Grand Theft Auto V: Enhanced Edition

One of the very few times I interacted with a PlayStation (any version) was in late 1998 or so when a buddy handed me a controller to play Grand Theft Auto a game that I had known about due to the controversy surrounding its themes and violence after it had been marketed in the U.S. and thus gained exponential popularity. I contend that the later coined "Streisand effect" for this should be called the "GTA effect", but I digress.

It certainly wasn't my normal type of game (it existed for the PC but never tried that). The premise was basically a top-down driving simulator where you followed job objectives assigned by organised crime bosses, stealing cars, shooting police officers and generally causing mayhem. I can understand the controversy as much as the popularity it gained because of it - as well as the general gameplay appeal.

The franchise really took off when it entered the 3D era and broadened it's appeal with GTA III in 2001. Considered one of the pivotal moments in video game history the controversy never abated and increased ten-fold as the series grew in popularity. Fast forward 24 years and the franchise has evolved into a 3D 3rd/1st person action game which has generated sales from 440 million copies, the largest contribution portion of developer Rockstar Games' $20bn+ valuation.

With a 6th mainline entry in the franchise where even trailers are more hyped than some AAA game releases on the way and that a new Ray-tracing and graphical enhancement update was added to the last entry in the series I decided that I should probably take a look at Grand Theft Auto V, to see what all the fuss was about.

In his chronically misguided attempt to entice people to purchase from his online store, Epic Games honcho Tim Sweeny used to give out over a dozen high quality or AAA games for free every year. He more recently announced significant losses from this idiotic endeavour and now rarely offers more than indie slop or repeats of previous games. But in May 2020 he did grant us GTAV: Premium Edition which got the free upgrade to the Enhanced edition, so I won't complain.

I was in game for about 90 minutes when it clicked why this had sold over 200 million copies by itself. This was a cinematically directed interactive crime movie. Heat, Scarface, Boyz n the Hood in fact literally any movie there's been, law-enforcement activity, a heist or criminal drug-related shenangans probably gets a nod here and it's seriously impressive. It's a bit jarring to hear the N-word coming so much from a video game or something not done by Tarantino but it's always spoken by black characters so that's makes it OK right? The atmosphere created by Rockstar never leaves the game and while some situations are a bit far fetched it never truly breaks the cinematic immersion you just get some scenes paying homage to William Friedkin and others to Tony Scott.

You play three different characters, a low level car 'reposessor' and gang-banger Franklyn, Michael an ex-robber family man in wit-sec and Trevor a loose cannon arms trafficker and meth dealer. You control them at different points in their interwoven story as they meet and begin to plot for the biggest heist they've ever undertaken, ripping of the Federal Repository. This is a game however where the side-content, not integral to the plot is worth completing as it's as expertly produced and as well written as the main path. Often you have free reign over any character and as them you can travel around the extensive map stealing cars, ripping off other criminals, robbing armoured cars, taking part in illegal street races, visiting strip clubs and even playing some golf (I sucked at the golf).

This is Grand Theft Auto and of course the Auto part is probably the most important aspect as you will need to drive anywhere from objective to objective. You might want to use your own personal car but in this world you can just smash a window and boost or pull out the driver of a stopped car and get yourself a new ride. There are pros and cons to each different vehicle of which there must be dozens of different types and part of the appeal is finding out which vehicle would be better for each situation your find yourself in.

Despite the inevitable action sequences I did find myself driving on the freeway aimlessly just listening to the in game radio. The stations hosted by a DJs voiced by Cara Delevingne and Kenny Loggins were my favourite and I ended up missing some objectives due to wanting to hear all of INXS' "New Sensation" or Belinda Carlisle's "Circle in the Sand" to name but a few. It also made me thankful that I don't drive in reality as I started driving far too recklessly when Loggins played his own hit "Dangerzone".

Final Verdict: I initially just wanted to play for a little while just to see what the hype was about, but got totally pulled in and stayed for 60 hours before the credits rolled. It's easy to see only from this why the game generated $8.6bn (albiet likely the majority from its online component) and why Rockstar will most certainly get away with charging $100 for GTA VI. I was very tempted to continue the game in an online persona in the included GTA: Online but it's best I leave the criminal life behind... at least for now.

Technicals: 60 hours through Steam on Windows 11 with an RTX4070Ti @ 3440x1440/60FPS with in-game HDR and full Ray Tracing.

Availability: Grand Theft Auto V is available from Steam for €29.99. Review copy received through EGS in May 2020 for €0.00.

Grand Theft Auto series (mainline only):

• Grand Theft Auto (1997)
• Grand Theft Auto 2 (1999)
• Grand Theft Auto III (2001)
• Grand Theft Auto: Vice City (2003)
• Grand Theft Auto: San Andreas (2004)
• Grand Theft Auto IV (2008)
• Grand Theft Auto V (2013)
• Grand Theft Auto VI (2025?)

Review - Outliver: Tribulation (2023)

This game landed in my EGS account one day and despite it's genre tags turning me off, namely : "Souls-like" and "Survival Horror" I couldn't pass up an opportunity to sample this small game from a 3-man indie development studio GBROSSOFT because I don't think I've ever played a video-game from Africa! GBROSSOFT are based in Lagos, South West Nigeria and according to themselves: "create African themed games with a global appeal". Tim paid for it, so why not?

You're put into the shoes of a female African special forces operator who apparently has fallen into an ancient mystical temple with the rest of her team and was the last to wake up from unconsciousness. The third-person perspective, African music and the bells and whistles of the Unreal Engine create a very unique atmosphere, something sadly lacking from AAA titles over the past 20 years.

The general movement of your character and weapons handling is competent and serviceable for what it is. The puzzles are not more difficult than standard modern video-game puzzles (ie. much easier than in the old days) and it's clear from the attention to detail in the story and mythology there's a more than passing religious significance to the developers woven into the plot. I think despite the likes of Western-themed adventurers exploring parts of Africa, nothing like this has been done before.

As this is an indie I overlook it not having features like professional voice-actors, movie-quality cut-scenes, re-mappable controls, no mouse in menus and some general feel of jankiness that just can't be ironed out by a team of just three devs. The environments are repetitive and at least from what I saw were somewhat confusing which was compounded by a map that was probably too simplistic for a 3D action game and didn't show your character's exact position/direction in a traditional way. While I do appreciate someone doing something differently, it should never be so obtuse as to not give enough information at a glance.

I only played about an hour of the game which seems to be 25% of it's playtime and this was due to the relative difficulty I have with souls-like games and my aversion to the survival-horror genre. It'll be fun for people who like to have enemies blink into existence from the mist and darkness and take a quarter of your health in one shot. It might have helped if the sound mix didn't confuse me into thinking something was in a different direction to where it was but it still meant my character was not long for life.

Final Verdict: It's a shame that to find anything unique and new these days, you have to delve into the virtual bargain bin, but this is a game that a fan of either or both survival horror or souls-like (but with guns) should investigate for as little as €2.

Technicals: 60 mins through EGS Windows 11 with an RTX4070Ti @ 80FPS

Availability: Outliver: Tribulation is available from Steam for €7.79. Review copy granted Free from Epic Games in Oct 2024.

Retro Review - Star Wars: Bounty Hunter (2002)(2024)

In honour of Star Wars day on May 4th I decided to try out a recently ported PS2 game that Amazon gave me as part of my Prime subscription. Star Wars: Bounty Hunter was originally released as a console exclusive in 2002 by LucasArts who wanted to throw a spotlight on one of Attack of the Clones most hyped characters - Jango Fett.

Players play Fett in a 3rd person action game using all his tricks and weaponry such as his twin pistols, flamethrower and jetpack. The game serves as backstory for Fett being chosen as the clone template 10 years before Episode II. The bounty hunter sets his sights on a 5 million credit bounty to eliminate the leader of an evil underground organisation that threatens to disrupt Darth Sidious' ultimate plans. Fett needs to gather information by threatening (and then killing) targets with knowledge of his quarry and any bounties of opportunity as he shoots and burns his way through somewhat simplistic but classically vertical LucasArts level designs.

Atmospherically it's very Star Wars, it uses the LucasArts/Lucasfilm library of authentic sounds from blaster fire to the Willheim Scream, John Williams' themes with some of Jeremy Seoule's equally unmistakable score provides a familiar soundscape. Temura Morrison lends his voice to the character providing a continuity of immersion. Zam Wessel's screen actor Leeanna Walsman voices her character and Clancy Brown portrays a rival hunter.

The game is a product of it's age and sadly no amount of graphical remastering on Aspyr's part can snap you out of the reality that this is an early 2000's console game, albeit a relatively good one - amazing even - considering it's basically a movie tie in. While you can chose a classic or modern control scheme, it's something that you often have to fight with or at least get used to the camera. It does start out drip feeding you apilities and enemies but before long you're fighting waves and waves of identical enemies, that wear your patience down more than your health. I had enough of this after about 4.5 hours, I enjoyed what I saw but I knew I had seen it all by then.

Final Verdict: Aspyr have has some Star Wars related misses recently with the KotORII Nintendo Switch Port and the remasters of the Battlefront games but in general they have the most experience with Star Wars game ports and Bounty Hunter certainly seems like one of their success stories. They did a great job of modernising the textures, lighting and effects and delivered a serviceable remaster and PC port that runs glitch free on a modern system.

Technicals: 4.5 hours through GOG Galaxy on Windows 11 with an RTX4070Ti @ 120FPS (Game limitation) using Windows HDR

Availability: Star Wars: Bounty Hunter is available from Steam or GOG for €19.50. Review copy granted Free from Amazon Prime Gaming in Dec 2024.

Star Wars games ported by Aspyr: (Ported to various Windows, Linux, MacOS, iOS, Android, Microsoft consoles, Sony consoles and Nintendo Switch depending on title)

• Star Wars: Galactic Battlegrounds
• Star Wars: Jedi Knight II - Jedi Outcast
• Star Wars: Jedi Knight - Jedi Academy
• Star Wars: Battlefront
• Star Wars: Knights of the Old Republic
• Star Wars: Empire at War
• Star Wars: The Force Unleashed II
• Star Wars: The Force Unleashed - Ultimate Sith Edition
• Star Wars: Knights of the Old Republic II - The Sith Lords
• Star Wars: Episode I - Racer
• Star Wars: Republic Commando
• Star Wars: Battlefront Classic Collection
• Star Wars: Bounty Hunter
• Star Wars Episode I: Jedi Power Battles
  

25th Anniversary Review - Star Trek: Voyager - Elite Force (2000)

Raven Software may be a support studio for Call of Duty now, but they once took modified forms of id-Tech engines and built some of the best FPS games of the turn of the century. Three of my personal favorites were Star Wars Jedi Knight II: Jedi Outcast, Soldier of Fortune and of course a very unique game in Star Trek: Voyager - Elite Force.

One would not have thought of the Star Trek franchisee being ripe for an FPS game as shooting things with phasers to a degree that would support an entire game and was never really Star Trek's style, especially on Voyager. Nontheless we got a sort of "created only for the game" elite Starfleet Hazard Team that would be sent on the most dangerous missions the regular security officers would be unable to do because... video game plot device.

Raven's gambit worked because Elite Force which leveraged id Tech 3 (used for Quake III) lent itself superbly to realise the most incredible Star Trek experience for it's time. The plot wasn't out of place in any episode of the show and the visuals were created from what must have been exhausting levels of research. Much like prior Star Trek franchise games, the entire main cast provided their characters voice overs for the game to truly cement your immersion.

There was a significant amount of scripted sequences to build tension and further the narrative but you had agency to affect the outcome through your actions which was not the norm for the time. Gameplay usually has you transport to usually hostile environments on away missions to shoot your way through alien vessels and eliminating threats with everything from your TV show accurate phasers to some interesting additions by Raven to round out the common 10-slot weapon load-out for the game genre.

Final Verdict: It's not my first time back in the 25 years since release but I still enjoy returning to Voyager - Elite Force to shoot things with phasers for about 8 hours, which is short for a game yes, but long for an episode of the show, an atmosphere that Raven so expertly recreated here and (thanks to GOG) runs great on a modern system.

Technicals: 8 hours through GOG Galaxy on Windows 11 with an RTX4070Ti

Availability: Star Trek: Voyager - Elite Force is available from GOG for €9.99. Review copy purchased in September 2023 for €5.99 from GOG.

Star Trek: Elite Force series:

• Star Trek: Voyager - Elite Force (2000)
• Star Trek: Elite Force II (2003)
  

10 Future Video Games on the General's Radar

A list of 10 games that caught my intention in alphabetical order. A few are expected this year but the way things are going in the games industry it possible that that only some of these will even be completed.

 

Blade (Arkane/Bethesda)

Everyone's favourite daywalking dhampir is getting his own 3rd person action game with lore from the Marvel comics as opposed to Wesley Snipes movies. It'll be 2026 before we see anything about this game after its reveal in late 2023.

DOOM: The Dark Ages (Id Software/Bethesda)

The third installment of the 2016 rebooted DOOM franchise.This is touted as the "epic cinematic origin story of The Slayer's rage". I get worried when id use the word "story" for a DOOM game but we'll see this year.

Exodus (Archetype Entertainment)

From Archetype Entertainment who were formed by ex-Bioware personnel, Exodus is being advertised as Sci-Fi action adventure RPG which looks to the the spiritual successor to the older Mass Effect games with a heavy dose of concepts explored in Christopher's Nolan's Interstellar, they even have Matthew McConneghy on board with some voice work. The promotional work being done here is some of the best I've seen.

Iron Man (Motive/EA)

EA has the license for an Iron Man game and have tasked Motive to develop a game we know little about but expect it to be a single-player action adventure and have an open world judging by some job listings last year. I'm a major fan of Iron Man and I hope they use lore from the Marvel comics as opposed to the MCU. If there was a side game mechanic to manage Stark Enterprises, prevent your heart stopping and battling alchohlism as well as being a superhero it just might be perfect.

Mass Effect 5 (Bioware/EA)

With Dragon Age: The Veilguard not exactly inspiring too much confidence in the studio, Bioware remain committed to working on the next Mass Effect which will be developed with Unreal Engine 5. If we see this before 2028 I'll be shocked.

Metal Gear Solid Delta: Snake Eater (Konami)

An Unreal 5 remake of Metal Gear Solid III for current gen consoles, but more importantly - the PC! It's just a remake so hopefully it's gone smoothly without Hideo Kojima on board. We should find out this year.

 

Project 007 (IO Interactive)

Hitman developers IO Interactive are working on a James Bond game. I'm assuming a third-person action game but I guess we'll see in due course. 

Star Wars: Eclipse (Quantic Dream/Lucasfilm Games)

 

PR embattled Quantic Dream's games have always intrigued me by how different from other games they are. I'm fascinated by how this could be applied to Star Wars even though it's set in the High Republic era. 

Vampire: The Masquerade - Bloodlines 2 (The Chinese Room/Paradox Interactive)

 

This is a long, long, long awaited sequel to 2004's Bloodlines. It began development at Hardsuit Labs in 2016 but was halted in 2021. Publishers Paradox decided against cancelling the game and instead unveiled in 2023 that The Chinese Room had picked up development. I'm not holding my breath expecting it this year.

The Witcher IV (CD Projekt Red)

The recent reveal of a Witcher IV trailer reminded me that I need to play The Witcher III. before this comes out in I expect 2027.

First Play Review - Dragon Age: The Veilguard (2024)

It had been a significant amount of time since there has been a new Bioware game, and with good reason. The last entry in the Mass Effect franchise, Mass Effect: Andromeda didn't too much to re-engage the fans of the original after its near-disastrous launch issues and their last game Anthem, a multiplayer ARPG was an attempt at a new genre and new franchise in 2019 that crashed and burned so badly it could have taken the company with it. After playing their new release Dragon Age: The Veilguard, a part of me wonders if that might not have been such a bad thing to happen.

Everything here seems great initially. The team at Bioware and EA got so much right with this release, one couldn't not be excited by this being possibly a new paradigm for AAA gaming in the  mid-2020's. DA: The Veilguard had lower price than industry average base price at a time where nothing was being reduced. There was no extra annoying accounts beyond logging into the store you purchased the game on, i.e it is an EA Game but no EA App/Origin nonsense for Steam here. No Denuvo DRM employed to debilitate system performance. A complete game was delivered on day one, no cut story content being offered as DLC. No loot boxes and other pointless micro-transactions in an in-game store. No X-Days early access to the full game for pre-orders. No live service shit. Ultrawide support for all cinematics. And most importantly against industry-norms, Dragon Age: The Veilguard worked flawlessly out of the box on day one, fully and perfectly optimised for nearly all systems. 

The gameplay of Dragon Age: The Veilguard took a little while to get used to but it soon became easy to master. I played the rogue class which is far more like a traditional ranger than a rogue as there's no traps or stealth in the game. With two blades and a bow your hero "Rook" can drop foes both at range as well as up close with a small but versatile array of options that can be tinkered with and swapped out depending on what you want. You are always accompanied by two companions who have abilities which can compliment both each other or yours with a primer and detonation combo with somewhat satisfactory results if used correctly. The pause menu allows you to target and unleash powers and hotkeys activate your own abilities to. I'll admit the combat effects can be somewhat too flashy compared to past games but this seems to be the norm among other games now. Levels of difficulty seem only to scale mob hit-points so I increased the difficulty from the easiest setting early on when I felt things were being killed far too quickly and kept it there. It didn't stop me from being killed but it made the whole experience much more satisfying.

The environments were varied and the levels were very well constructed and mapped out. Exploration was encouraged by the fact that if there was a ledge either above or below you, then more often than not there was actually something to find there. It is not quite an open world but still large enough to welcome unlocking a fast travel point when you came across it due to a fair amount of revisiting locations once you were high enough level or had the McGuffin required for the area.

Now with such a fantastic list of pros, how could this be anything but a win? Well there is a few other stars that need to be aligned before a win is declared and most of that comes from what one expects from a company who once held the RPG crown in the gaming world. Dragon Age is Bioware's dark fantasy setting, the keyword here being 'dark'. And anyone playing any of the earlier Dragon Age games knows how that is defined. What one should not do to promote a dark fantasy is to change the realistic art style employed by the previous games and give it a mismatched cartoonish look where characters are clearly too stylised to fully take seriously. This was the first red-flag.

As one progresses through the game it becomes painfully clear that the true magic of Bioware has now long left the building. The dialogue is somewhat infantile both from Rook and your companions and opportunities for the type of role-playing that Bioware is renowned for is non-existent. Choices that appeared in each dialogue wheel from Knights of the Old Republic, Mass Effect and into Dragon Age which defines your character as a negotiator, goody-to shoes or an outright asshole are absent and have been distilled down to "nice guy", "nice guy with a quip" and "firm-but-nice guy" and that's about it (unless there's an extra specialisation option depending on whatever options you took at character creation). It's a total regression of the system and leads always to the same outcome which is absolutely not what an RPG is supposed to do, certainly not a Bioware one.

The NPC companions on offer here seem to be defined by their quirks or job roles rather than their personalities and considering the quality of previous companions from Bioware it only cements the truth that the magic is gone. Romance, something that Bioware achieved to such a degree that it's been copied and added onto countless games and even noted as a negative absence in RPGs that have not employed it - well here it's tame to an insulting degree and takes up less than 15 minutes of what could be an 80 hour play-through. Fox News once tried to get Mass Effect banned based on "Alien sex scenes", i.e. the consummation of Commander Shephard's romance with Liara in 2008. Well not even the most devout religious holy-fucking-Joe nutjob would have had a problem with the infantile passionless love scenes on display here, PEGI-18 my ass, the only nudity was in the character creation screen!

It seems like the developers went out of their way to not offend a certain 1% of people at the cost of the 99% who wanted a real RPG. They spent longer on a storyline exploring one characters questioning of their own sexual identity, to the detriment of every other character's development (including your own) something that should have only been done if you choose those options but here it was made essential to the characters level progression which was ridiculous and was always cringe-inducing.

One major issue doesn't crop up until near the end and it's a significant issue especially those with expectations based on games following a certain Bioware formula. You are at some point faced with what seems like a normal gameplay choice and by this time you've faced several but this seems like a Mass Effect 2 "suicide mission" choice where you send one companion to do something and based on their loyalty level they live or die. This experience may lead you to ensure your characters are at max loyalty if you want to keep them alive. What they don't tell you is that the choice you're making here is a "Virmire" choice, named after a Mass Effect 1's command-decision of who gets left to die regardless of their loyalty/romance level. It's a bait and switch that may lead to a decision you'd not have made had you known the potential consequences and it feels like a decision taken from you because of it. While I commend the developers for doing something unexpected, something with such a genuinely horrible outcome no matter what you do feels too bitter a pill to swallow and I reject it outright.

With all that said however the game's ending sequence, the last two to three hours leading to and including the final confrontation, is so genuinely exciting and visually impressive that it's like a completely different team was responsible for it's creation. It has some incredible moments that I really think the price of admission was worth it. It's kind of a meme that Bioware doesn't end their games properly with any level of satisfaction and perhaps this is a positive example that this just isn't the true Bioware team because this is one of the best video game endings in many years.

Final Verdict: While technically superior to practically every other game released in recent times, Dragon Age: The Veilguard's exciting and cinematic gameplay and excellent score by Hans Zimmer and Lorne Balfe is sadly mismatched to chronically juvenile writing, weak characters and misplaced pandering to "sensitive" and "modern" audiences at the cost of meaningful RPG elements or delivering to the players that supported the franchise for so long.

Technicals: 80 hours through Steam on Windows 11 with an RTX4070Ti @ 3440x1440/90FPS with in-game HDR and Ray Tracing.

Bugs: One crash 50 hours in. No recurrence. After one lengthy session, breakables stopped breaking, restarting fixed.

Availability: Dragon Age: The Veilguard is available from Steam or the EA Store for €59.99. Review copy purchased in August 2024 for €59.99 from Steam.

Dragon Age series:

• Dragon Age: Origins (2009)
• Dragon Age: Origins - Awakening (2010)
  
• Dragon Age II (2011)
• Dragon Age: Inquisition (2014)
• Dragon Age: The Veilguard (2024)
  

Obituary: Former President Jimmy Carter (1924-2024)

Lt. James Earl Carter Jr., U.S. Navy left the service after seven years in 1953 to take over the running of his family's peanut farm before running for a state senate seat in 1962. On the last day of his state senate office he announced his congressional campaign later becoming the Governor of Georgia in 1971. He angered his supporters by declaring that "the time of racial discrimination is over" in his inaugural speech making civil right a core tenant of his office.

In 1976 Carter's successful presidential campaign defeated Gerald Ford and was run on supporting a consumer protection agency, a cabinet department for education and signing peace with the Soviet Union to name but a few.

Carter was sworn in as the 39th President of the United States in 1977. He inherited a troubled economy and an oil crisis which increased inflation. He faced considerable domestic issues in trying to get the American people to accept austerity.

He was successful in getting Egypt to recognise Israel with the Camp David Accords and he returned control of the Panama Canal to Panama. Unfortunately he mishandled the Iranian Hostage Crisis which was reflected in the downfall of his presidency and landslide defeat by Ronald Regan in 1980.

Following his White House tenure Carter remained active as a diplomat and statesman over much of the past 40+ years and was awarded the Nobel Peace prize for his promotion of human rights. Well into his early 90's he was also a volunteer with Habitat for Humanity who help low-income workers to build and buy their own homes and access clean water.

Carter also created The Carter Centre, a non-profit NGO and used his influence to improve the quality of life for people in more than 80 countries including assisting the WHO to nearly eradicate Guinea worm disease.

He died peacefully at this home at his home today aged 100. May "Deacon" (his secret service codename) rest in peace.

Retro Review - Hitman 2: Silent Assassin [2002]

I intended coming back to the Hitman franchise earlier in the year after my awful time with Hitman: Codename 47 in early 2023 but it's only now that I've completed the sequel Hitman 2: Silent Assassin. And yes, I did say completed as this game was a vast improvement of the broken mess Codename 47 is now.

You once again take up the mantle of the genetically enhanced clone 47 and proceed to snipe, strangle, poison or just shoot your way to your target and eliminate them. This time while the emphasis remains on patience and stealth, the pressure of remaining silent is eliminated and it's usually also possible to shoot everyone and generally make noise without blowing the mission; the odds of your own survival if you do this are significantly reduced. 

I had to use online resources to determine the rest of 'the story so far' but suffice to say in Codename 47 our protagonist discovered he was a genetic clone of several assassins and while successful - as evident by his performance in the real world - his creator nonetheless created an upgrade for the mass market that would be more 'controllable' and sent them to kill 47. Needless to say, they didn't survive, nor did the geneticist. In this sequel, 47 now lives in retirement as a church groundskeeper leaving the life of assassination behind him until circumstances thrust him into the thick of it once again.

Gameplay wise, Silent Assassin is significantly superior to the original. Perspective is still predominantly third person and the game is designed around it but you now can if you so choose, switch to a first-person view at your leisure for precision shooting or other actions. Your range of weapons is significantly expanded to include all manner of blades, shotguns, rifles and machine guns that 47 will collect during the course of his travels. These collections are permanent if you finish the level with them which is better than the original game's mechanic of needing to purchasing weapons with money (that you might not get if your score wasn't good enough). One thing I felt they did better in the original game was you could hold a dismantled sniper rifle in a suitcase and thus not draw attention. Here you need to carry large weapons assembled and unconcealed which causes alerts from everyone unless you have a both a disguise and location that matches your weapon.

Much as the original, your purpose is to assassinate someone, and someone who probably deserves it not that you should be brining a moral compass to these games anyway but I think your rating is better if you don't kill innocent bystanders. You are even given chloroform as a non-lethal takedown should you wish to do so. Your main target can always be directly shot or stabbed but it's often easier, and more satisfying if you can find a more 'artful' solution. In one level I crept into a Japanese villa where I observed a geisha serving sushi to the room where my mark was. I placed a poison fish on the serving plate and crept back out where I got notifications that my target was dead after I had let the area.

The original game's checkpointing system is thankfully replaced with a manual save. You are permitted only a few saves but I always had enough and you get more as the game goes on. One aspect they are a necessity for is the eventual trail-and-error gameplay loop. While certainly superior the original, the AI here can be a bit flaky. When properly disguised some enemies properly ignore you while civilians in the same area panic for no reason and therefore alert the soldiers to you. There's a lot of reloading required to do a trial and error to see what disguises can be used where and how long an enemy may take to notice you. Bizarrely if someone sees you running regardless of disguise they open fire rather than just think you're late for dinner, but it can happen when standing still too. The AI isn't bugged, it's just weird.

Final Verdict: This is not a perfect game but it is a classic case of a sequel building on the original in every way and making it better by fixing all the problematic issues that people had with the original, thus making it far more accessible. Playing today the AI isn't too forgiving making much of the game too difficult to achieve a good stealth rating the first time. Thankfully if it gets too frustrating then you can "go loud" and see if that works for you but if you still play carefully rather than treating it like a standard FPS.

Technicals: Played for 20.7 hours on Win 11 @ 1600x1200/60FPS. Graphics options are minimal.

Bugs: No technical system bugs.

Purchase Options: Available on Steam or GOG for €8.99. Review copy purchased from Steam €2.69 in January 2022.

Franchise [PC only]

• Hitman: Codename 47 [2000]
• Hitman 2: Silent Assassin [2002]
• Hitman: Contracts [2004]
• Hitman: Blood Money [2006]
• Hitman: Absolution [2012]
• Hitman [2016]
• Hitman 2 [2018]
• Hitman 3 [2021]
• Hitman: World of Assassination [2023]

20th Anniversary Review: Half-Life 2 (2004)

When I played the excellent Industria recently I was reminded that it was my intention to go back to City 17 this year in celebration of the 20th anniversary of the sublime Half-Life 2 and the story of everyone's favourite scientist cum commando Gordon Freeman was pretty fresh in my mind after having played the unofficial-but-blessed-by-GabeN Half-Life remake Black Mesa just last year. At the end of the game, if you don't chose death, Gordon is placed in stasis by the mysterious G-Man to await the next assignment. 

That assignment is granted when at the beginning Half-Life 2 you're awoken by the G-Man and inserted on a train bound for City 17, a dystopian hell-hole ruled over by The Combine a race of aliens who seized control of the planet in just seven hours some 20 years ago. Evidence of The Combine is everywhere in the world which adds to the oppressive feeling of their regime and psychologically constructs this in your mind without needing to explain it. A human overseer appears Big-Brother-like on ever screen and guards don't hesitate to to beat down any inkling of resistance to the rules (or because they feel like it). The atmosphere created in just the opening sequences sets the tone for the game and proved Valve's excellence at narrative storytelling through dialogue, sound and world design. You do manage to get out of City 17, amass an arsenal of weapons and allies and as you'd expect - get some payback - but this is Half-Life 2, and even with a couple of subsequent add on episodes released in the following years, there is a bittersweetness to know there's no final act, no final episode, no sequel - the only dark cloud over Half-Life is that it's an unfinished masterpiece.

That dark cloud however is no reason not to play Half-Life 2 of course. The gameplay is what separates interactive video-games as a narrative tool from books, movies or TV shows and the gameplay here is what separates Half-Life 2 from all competition. Half-Life was in many ways iterated on with Half-Life 2. All the standard weapons (but none of the silly/alien ones) including the iconic crowbar return with the addition of one of my favourite FPS weapons: The Pulse Rifle which is suitably lethal here and of course the weapon that made the game stand out and high above the competition - the "Gravity Gun" which could pull and push many of the game's objects and be used in both combat and as a method of solving puzzles. This becomes your primary tool to manipulate the world and mastering its use makes exploring the world, as well as some enemy encounters, much more enjoyable.

Unlike it's competition at the time consisting of mostly WWII shooters and maybe Halo games, a standout feature of Half-Life 2 is its variety. You wander through streets filled with Combine enforcers and depressed citizens, navigate murky sewers filled with goo and nasty creatures, drive a hovercraft though canals avoiding mines, pass through an undead filled shanty town with the aid of a priest, traverse the underside of a huge railway bridge avoiding a fall to certain death, attack a prison using an army of giant murderous ants, perform feats of fast-paced vehicular heroics with a dune buggy armed with a gauss gun, all before organising an army of resistance fighters to storm The Citadel, the Combine's miles-high monolithic tower which dominates the skyline as it pierces the clouds themselves. There is no other FPS that can come close to this variety and why it remains unsurpassed in that regard to this day.

Final Verdict: Half-Life 2 was 2004's Game of the Year on every magazine (remember them?) and website that made a GOTY declaration - and rightly so. At the time it was graphically sublime and its gameplay standards are relatively unsurpassed to this day. It was a welcome break from the first-person shooters which had become shorter in length as the years went by and felt more valuable for it. Featuring the voice talents of a trio of late actors Robert Culp (The Greatest American Hero), Louis Gosset Jnr. (Iron Eagle) and Robert Gullaume (Benson) with Michelle Forbes (Star Trek: The Next Generation) and music by Kelly Bailey, Valve didn't revolutionise the FPS genre with Half-Life 2 but it did create the very apex of the genre and City 17 is well woth a (re)visit 20 years on.

Technicals: 15 hours via Steam on Windows 11 with an RTX4070Ti @ 3440x1440/175FPS.

Bugs: It makes sense that Valve's magnum opus is flawless and runs flawlessly on modern systems.

Availability:Half Life 2 is only available via Steam for €9.75. Review copy was physically purchased in December 2004 with the Collectors Edition Tin which included a code to a brand new new service called "Steam" that no one thought would ever be anything else than Valve's little game downloading platform.

The Half-Life series:

• Half-Life (1998)
• Half-Life: Opposing Force (1999)
• Half-Life: Blue Shift (2001)
• Half-Life: Source (2004)
• Half-Life 2    (2004)
• Half-Life 2: Lost Coast (2005)
• Half-Life 2: Episode One (2006)
• Half-Life 2: Episode Two (2007)
• Half-Life: Alyx (2020)

Classic Review: Mass Effect Legendary Edition (2021)

Following overwhelming success with Dungeons & Dragons RPGs Baldur's Gate and Neverwinter Nights, Bioware then brought Star Wars into the RPG space with Knights of the Old Republic. The positive responce from players and critics revealed that there was as much a market for great science fiction RPG video games as there was for fantasy, so they proceeded to develop new original IPs for both genres; fantasy was served by Dragon Age and for sci-fi it was Mass Effect.

Once I identified that Mass Effect wasn't just a port of some dumbed down space RPG for console peasants I had to have it. By the time I got to it in late 2008 I discovered it wasn't plagued by the normal pitfalls of PC ports. In fact it was so polished and contained so many options for the PC, I'd not have been able to tell it wasn't originally developed for the platform. This allowed me to fully enjoy the game for what it was - the first instalment of what would become my favourite game franchise.

It was a unique experience for me at the time, an RPG where you created Commander Shepard, series protagonist, with choices of appearance, gender, class, abilities, weapons and armour. In addition to extensive fully voiced dialogue and interaction with NPCs as you'd expect in an RPG, you chose two of your crew and explored open-world planets in the Mako, a tank (that was a pain to control) dropped from orbit. Ground combat was intense and followed cover-shooter mechanics which were admittedly a bit janky at the time but it was different. Inventory wasn't the best implementation I had seen and required far to long to sort out and equip your team.

However, the game-play flaws were largely overlooked because of the quality of the story and character interactions were above par. Mass Effect was a game-changer in terms of realising your fantasy as a space captain, unshackled by the rules of something like Star Trek and without the mysticism of Star Wars you were able to set out from The Citadel space station, the center of galactic power, and explore the universe as you saw fit in your starship, the Normandy. With the help of some other humans and aliens you pick up along the way you are tasked with an overarching mission to save The Citadel and establish humanity's place as a significant power in galactic events.

Everything got even better with Mass Effect 2 (in 2010) where you team up with an entirely new crew to embark on a suicide mission to defeat an emerging threat and Mass Effect 3 (in 2012) when all out war breaks out across the galaxy. The open-world and awkward Mako sequences were replaced with a planetary scanning mini-game to collect resources, ground combat was tightened up to use ammo clips rather than waiting for your weapon to cool down and allowed the issuing of squad commands for a more tactical options.The need for an inventory at all was removed and replaced with a weapon upgrade system. 

In the sequels, the story's stakes were raised tackling significant ethical and moral issues including genocide and the right of sentient A.I. to exist all while evolving into preventing the destruction of the galaxy itself. Some 85,000 lines of dialogue was recorded by a cast which included Mark Meer/Jennifer Hale as Commander Shepard, with Martin Sheen, Keith David, Lance Hanrickson, Seth Green, Marina Sirtis, Armin Shimmerman, Yvonne Strahovski, Tricia Helfer, Adam Baldwin, Claudia Black, Micheal Hogan and Carrie-Anne Moss to same just a few. Perhaps just as importantly the choices you make in one game change plot points in later games. Some are more significant than others but the consequences of your actions have ramifications beyond the game you make the choices in.

The Mass Effect Legendary Edition, released in 2021 upgrades all three games with improvements to graphics and gameplay. Textures, lighting and effects are all enhanced and are clearly more noticeable in the first game as it's the oldest. Game controls, HUD, gameplay cover mechanics and squad/mob behaviour have been more streamlined in an attempt to make them more uniform across all three games and preventing the need to learn different elements and mechanics over the course of the three games. Levelling and XP caps are altered to remove the need of NG+ to "get all the levels". Overall the changes are welcome and do change the original game most significantly, removing a lot of things that people found painful.

Final Verdict: Mass Effect is my favourite game trilogy and I'm glad EA green lit Bioware to make such an important and well-executed in-house remaster to correct some significant if not game-breaking flaws and bring it to the systems of the 2020s. It doesn't change the most controversial and debated ending in gaming history, but the Mass Effect Legendary Edition is now the way new and veteran players should enjoy the saga at modern resolutions..

Technicals: 127 hours (ME-33hrs, ME2-43hrs, ME3-51hrs) through EA App on Windows 11 with an RTX4070Ti @ 3440x1440/175FPS with in-game HDR.

Bugs: In Mass Effect 1, some open-world Mako sequences suffered from framerate drops. Disabling VSync and locking frame rate fixes.

Availability: Mass Effect Legendary Edition is available from Steam or the EA Store for €59.99 but is commonly heavily discounted to €8.99. Review copy purchased in July 2021 for €37.99 from Fanatical.

Mass Effect series:

• Mass Effect (2007)
• Mass Effect 2 (2010)
• Mass Effect 3 (2012)
• Mass Effect: Andromeda (2017)
• Mass Effect Legendary Edition (2021)
• Mass Effect 4? (202?)

First Play Review: Industria (2021)

 

I'm generally not an indie gamer, instead devoting my time to established IPs and franchises created by teams of the worlds best developers and distributed by the most greedy of publishers. As of late however, the AAA space has faltered and even the most experienced and successful development outfits have been producing some seriously unoptimised drek. So I said I'd have a look at the indie scene in between ticking off other games in my backlog. While technically Baldur's Gate 3 was an indie game, no one labels it as such due to Larian's AAA war chest and their over 400 headcount, but I did come across a real indie in the form of Industria.

Industria is an Unreal 4 - powered FPS where you play Nora, a scientist in cold-war East Germany who is transported to a parallel universe in search of her co-worker. She discovers the industrial revolution happened a little differently here and seems to have been augmented by an artificial intelligence which has created robot automatons which now rule a seemingly lifeless world.

The premise might sound a bit dodgy and certainly derivative, but once you set this aside it's actually a pretty exciting puzzle-lite shooter. You are given a small arsenal of weapons: pickaxe, pistol, sub-machine gun, bolt-action rifle and pump-action shotgun - that somehow you know instinctively how to use, and are guided over radio by a mysterious local survivor who provides exposition as you shoot your way through an urban sprawl crawling with steampunk-like robots determined to kill you.

The game world, the German-speaking city of Hakavik despite its bleak colour palette, is beautifully rendered in UE4 albeit with a few janky texture seams here and there. The influence of Half-Life 2 over the game is evident as the robotic elements have claimed parts of the 20th century architecture in much the same way as the Combine did in HL2. Enemies are suitably dangerous and unsettling; they are rarely silent but can often be dormant and hidden until you get into range, and then need to react, aim and shoot before they get you.

The primary combat paradigm here is unusual. Provided you look in drawers, cupboards and crates, you're given enough ammo to prevent this being lumped in with survival horror but you're also not given enough ammo to miss too often. You can carry only a pitiful amount of ammo at once so forget any DOOM or even CoD tactics here; this is a game where you only shoot if you can hit your target. It didn't happen me, but I can see that it wouldn't take much to softlock yourself by running out of ammo.

The game isn't too hard (on normal) but you will likely perish a few time before you get used to it, learning enemy movements and level-of-effort required to eliminate them etc. Unfortunately developers Bleakmill decided to limit saves to checkpoints, no manual saves, so death's penalty is to replay sequences since the last checkpoint. There's no logical or technical reason for this and it has no place in modern gaming. That said it's a very short game, clocking in at about 5 hours and in my case I had to add on about 90 minutes of respawn time.

Final Verdict: Industria is a little janky but otherwise solid shooter that goes to show that a small team of indie devs can produce a game that provides less frustration then many AAA releases these days. It wears its Half-Life 2 influences on it's sleeve and while short its thoroughly confusing narrative sets up a forthcoming announced sequel that I hope will have just as interesting a journey. I will just warn that €20 is also a bit too steep for this considering it length and lack of replayability but it's often on 70%/80% off making it worthwhile.

Technicals: 6h 35m playtime though EGS in 3440x1440 @ 175FPS on RTX4070Ti in Windows 11.

Bugs: Display settings would reset after game exit and mouse would be misaligned with menu making it difficult to reset to normal.

Availability:Industria is available through the Seam or GOG for €20.00. Review copy received for free.